im not familiar with Slog2 system, so, i wouldnt know how to get around it. sorry. at first i had a assumption that you doing IR video, because it has very similar case.
to be honest, you're going to do a lot testing on a lot filter before you get to the right ND filter. i lack of the experience to advise how the filter will react and cause what kind of color shift on high iso video when stacked more then 2 ND filters. iso itself will struggle and might read the wrong color. this doesnt worry me, what really worries me is when the stop are so high, the AF refuse to work (even contrast detect)... and the feed to LCD may turn pitch black too. not sure with A7s, but the last best sensor was the sony 24mp turn black display at 10stop(lee big stopper) facing the sun (sunset shot)
if its on 24mm, i dont know which 24mm its going to be, i assumed its not sony since sony doesnt has any F1.4 24mm. the step up filter doesnt do any good. because each lens is design differently and the requirement of filter clearance are diff. but please do consider square/holder system. There are holder system are design to avoid vignetting for UWA(with few condition too).
other case is, vignetting is a big subject, you might avoided filter vignetting entirely(not sure the correct word to use it), but u cant avoid a very natural soft vignetting that cause by F1.4, even without filter. so, you will required to do some post processing towards it, or, leave it alone since natural vignetting is kinda nice too, it helps to pop the subject in center.
lets Assume you are using 35mm, i will say you are safe from filter vignetting, but the natural F1.4 vignetting will still occur.
*correction, when we/i mention filter vignetting, i'm assuming a hard black mark on 4 side of the image even at F8. meaning the filter used prologue into the filter clearance. not the natural vignetting cause by the barrel itself.
before getting out of hand, lets use the word "screw on filter" circular may lead to diff misunderstanding type of 'effect' filter.
The answer would be simple, some branded holder filter system are designed to work with UWA. hence, its pretty much 'safe' to use. for example, the LEE holder, the adapter ring has 2 type, UWA adapter and standard adapter. the UWA adapter will bring/pull/push/???? the holder backwards, giving more clearance at the front. (try google it)
The crisscross effect happen in UWA and at certain degree of the VND filter (turn-able), usually happens when you overturn till the max at 9 stops. i wouldnt recommend it for your usage, because it will introduce a lot of new possible issue/problems along the way. but if you insist, Do Not Buy ANY Brands of VND.... except, LightCraft Workshop. LCW. dato lee chong wei filter. hehehehe joke aside. it is known as the BEST and mother of VND. very pricey thou. its like buying two B+W KSM CPL MRC Nano filter. close to 1k for the 77mm pro version.

thinking to upgrade my version I to version II for a long long time, but pocket empty... and btw, LCW has came out with a 100mm square VND (design for Lee square CPL holder), and i have totally no idea how it works... i suspect its a linear PL.
sadly to tell you,... the limitation of square holder to work on UWA is maximun of stackable filter are TWO...
color case happen when u stack certain resin filter aka Square type and certain brands... no matter its long or short exposure, the color cast will be there, its the issue of that chemical used, the ability to reduce visible light may be incomplete leaving certain type of light escape through. this you really have to try it out yourself. so you gotta make many photographer friends to see who has the b+w ND1000 and borrow to test it.
btw, there are many terms to ND, some put 10stop or ND1000, or 3.0. you will need to read up a little how they catagories them. the 3.0 actually means 10 stop, they calculate by 0.3 as 1 stop, hence 3.0 is 10 stop. the 1000x also mean 10 stop, but im not sure how they calculate it.
.... now.... come to settle your problem, F1.4@3200 with 1/50 at bright day light. honestly... stacking 2 ND filter isnt such great idea as it will create a lot limitation especially when using more then 10stops. my best advise, may sound very absurd so i apologies first, but, you can use a single 10stop, and not sure if its possible, coz i dont know its a controlled video environment or chasing around actual day wedding shoot with is not within your power to control, you can try choosing the right time/moment of the day when the sun isnt that harsh, eg early morning. but if its uncontrollable then sorry i dont know how to advise you. but i hope my explanation will clear up some doubt and question you had.
btw, it is okay for you to explain what/how slog2 works? maybe we can refine a solution from there.
Appreciate your sharing very much. Thank you so much for your time!
sLog2 is simply a flat profile designed by Sony. Flat profile means color is highly disaturated and sharpness is normally turned way down, so that minimum artifact was put onto the image. This way the image has broader room for color grading in post production. Different manufacturers has different name for this flat profile, for instance Blackmagic simply called it the Film profile.
You can see an example from this video testing on A7S's sLog2 before and after color grading on sLog2.