QUOTE(auronthas @ Aug 1 2008, 10:09 PM)
What a great analysis, pcwork!
I am not too much for detail or too accurate, as long as i can listen to all kind of music instruments and well defined as if the musician are playing in front of you, naturally, feel comfortably, grainless, never stop from listening...
I am looking forward to audition audio analogue puccini settanta, krell kav400xi with SFCD when i am really free.
Cheers
when i bought my SFCD. i thinking of "AS SMOOTH AS POSSIBLE" and those words slaps in my brain deeply.
hence i was thinking i don't even upgrade my amp from NAD.
i am quite happy with heavily modified NAD. however. now. after i tested the krell with my own sonus, i really miss the "control" of the amp.
it's not matter of how loud. it's matter of controlling. and the speed / accuracies will truly add refinement on reproducing the great minor notes that is SO important in orchestra / vocal / jazz... which it truly brings great information about emotion of the players / singer.
however. i also tested the audio analoge.. which IMHO. its not my cup of tea.. i don't know why. i prefer my own NAD more than the 10X higher price audio analoge.. it's too digital for my ear imho.
=P
i think if i were to describe it...
my NAD = photo that is blured, but smooth enough for ppl to see the object. but not micro detail. and it's more emphasise on the scene itself.. rather than all detail. u can enjoy the picture of the scene. but it's not that clear.. so some might as well call it as "ART" feeling. nothings to wow about any accuracies, or any superior comes from the picture. to enjoy the picture is just purely from the scene(songs) itself, and perhaps the skill / angle taking by the photographer (tuning of accesories such as cable)
Krell = sort of carl zeiss with superb combination of aparture setting. depth of field.. nice contrast.. nice focus... clear at places that it should be clear., blur at places it shall blur, super accurate tone of colour(accurate white balance) , red means red, blue means blue (which in this case, grate tonality). well.. it's all great for me.. while in this other hand. i feel that audio research were sort of leica.. also all great for me. and i like leica more than zeiss though =P
Audio analoge = Photoshop created computer CG. which super detail from the front to the end. which imho.. fake to my ear though. pls note my words that the setup is what i tested at perfect hifi, with my own sfcd, and the cable patched by alvin on the setup. i not sure why it's like that. but i just don't like it. i might needs another listen to clearly appriciate it's benefits.
hopes it give a greater ideal.
QUOTE(mugenfoo @ Aug 2 2008, 01:25 AM)
Krells really can rock SFs ...
In fact, there was this "killer combo" in the 90s ... the KAV-300i rocking a pair of Extremas .. and at that time, it was the ONLY Integrated that could drive the Extremas. Needless to say, the KAV-300i got pretty toasty to the touch after about 30mins or so working on the Extremas at normal listening levels.
In case some of you'll haven't noticed, the SF Extrema is (perhaps the only one of its kind) really one hungry power sucker, so hungry that even its PASSIVE CROSSOVER has a HEATSINK protruding out the rear of the cabinet !!.
Imagine that for a loudspeaker ... u need a HEATSINK for it's Crossover alone !
lol
extrema is truly extreme that it's the heaviest bookshelve ever produced i guess.
each of the bookshelve comes nearly 80KG..
=P
This post has been edited by PcWork: Aug 2 2008, 02:02 AM