How about coaxial?

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Added on April 26, 2010, 8:02 am

SO which 1 is true?

Can't wait for Labour Day to watch all the BDs that I bought esp Avatar since I read in avsforum that its AQ is superb. Hopefully, my humble setup delivers.

Optical can pass HD audio. Just not 7.1, Optical cable maxes out at 5.1. HDMI is the only way to transfer 7.1 HD audio. But if you only have a 5.1 setup, an Optical cable will be able to carry all audio signals you equipment is capable of handling. Now obviously, HDMI is the best for both audio and video, but Optical will be fine for your acceptable sound blast.

look at bro aiman04 diagram..
you will have the overview of it..

How to find bro animan04 diagram?

How to find bro animan04 diagram?

received my Avatar at last.....will try rip rip tonight

still not yet receive mine..
motor rosak    dont know should believe or not...

This forum, nowaday, become more and more dangerous, bullets flying around.  I must find somewhere safe. 

no need hide one..go learn from neo how to dogde bullet.. 

since when DHL deliver using motorbike??? 

That is matrix world and this is real world.  His skill can't be learned. 

Minority Report comes to Blu-ray Disc from Paramount featuring 1080p AVC encoded video that has an average bitrate of 36 mbps and lossless DTS-HD 5.1 Master Audio sound that has an average bitrate of 3.4 mbps.

Let me start off by saying that in my opinion this presentation appears to faithfully reflect the film’s original elements and director Steven Spielberg’s vision. Having said that it is important to understand that the way the film was shot does not necessarily reproduce the highly polished, three dimensional, and clearly resolute imagery that typically evokes the wow factor. That shouldn’t be strictly construed to indicate that it doesn’t look good in high definition. I have taken this into account while trying to provide an accurate depiction of my opinion in this review. Read on.

Minority Report was shot utilizing a visual style that gives it a distinctively monochromatic look that basks it in a bluish gray hue that permeates the presentation. Filtering is applied which gives many brightly lit or sun drenched sequences a hazy glow which can make them appear soft. Colors are primarily limited to various stages of gray, sepia tones, and blues. There are splashes of more inviting colors such as those seen in the greenhouse of Dr. Hines but even then saturation is noticeably held in check. When not affected by the aforementioned filtering fleshtones have a warm and lifelike complexional quality. Images are firmly resolved but perceivable resolution can be scene dependent due to the nature of the photography. Close ups fare better than wide angle shots and offer respectable detail and appreciable refinement. The video has a notably grainy aesthetic that tends to interfere with depth but also lends the presentation an enriching filmic texture. White and black levels achieve good balance so that detail/gradations are visible in brighter elements while dark sequences have a rich, delineated and dynamic quality that makes them pop. I can’t speak for everyone but in my opinion Minority Report’s decidedly stylized interpretation by director Steven Spielberg makes for a unique albeit frustrating visual experience for those that may be seeing it for the first time. This was definitely the case for me the first time I saw it. Subsequent viewings for me have yielded an appreciation for its cool, futuristic and sterilized visuals that effectively transports us to the year 2054 and a society that has become accustomed to living a programmed existence. While its elements aren’t necessarily the type that outwardly shines in high definition this Blu-ray presentation from Paramount accurately reproduces them which results in an unconventional yet rewarding viewing experience.

The DTS-HD Master Audio soundtrack needs no interpretation and simply sounds awesome. This is a very involving surround mix that delivers an invigorating and aurally stimulating home theater experience. Dialogue is full bodied with deep room penetration and high level articulation through the center channel. Integration of the front and rear soundstages is seamless as discrete sounds follow a deliberate and realistic path as dictated by the events onscreen. This creates an immersive and involving soundscape that is abundantly rich in detail. I found that even subtle background effects like the interior sounds of a busy shopping mall or open exterior sounds of a crowded public swimming pool had discernibly audible presence. John Williams’ music score is prominently on display and sounds magnificent throughout the film. It appreciably enhances the action with its spirited orchestration which is accentuated by the smooth timbre of the instruments and the low frequency punch of the bass drum. Low frequency effects are used authoritatively to underscore the bombastic and aggressive elements present in this soundtrack and it does so quite effectively. Its presence is never in question as it fills the room with tight, refined, and palpable bass that can be downright room shaking. A great example of this can be found during chapter 8 as Anderton struggles with the two Precrime officers after crashing through the window into the apartment building. Listen/feel as the three of them are propelled upward into the ceiling and break through the floor/table above. It’s a brief moment but a great sequence for ultra deep bass. Similarly the fight sequence in the car factory involving the pulse weapons makes for great demo material. This is a reference quality lossless audio presentation that definitely enhances the enjoyment of this great sci-fi thriller on Blu-ray Disc.

i tried to rip yesterday but was not successful
after u try and if successful, can teach me ar?

Received my Avatar today:

This is little Aiman's favorite movie, we watched 3 times in theaters. He's gonna freak-out when I bring this home later.

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