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 Micro Four Thirds (m43) User Thread V3, Panasonic G/GH/GFx & Olympus E-P/E-PLx

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jonralf
post Feb 5 2011, 02:46 PM

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QUOTE(contreasjun27 @ Feb 5 2011, 11:34 AM)
wow what a great picture is this man! did you edit it?
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yeah, i'm also interested to know
jasonkidd_87
post Feb 5 2011, 03:02 PM

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QUOTE(contreasjun27 @ Feb 5 2011, 11:34 AM)
wow what a great picture is this man! did you edit it?
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thanks man =) of course i did PP it, HDR wink.gif
SUSgogo2
post Feb 5 2011, 05:29 PM

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http://dpreview.com/news/1102/11020405schn...ofourthirds.asp
QUOTE
Schneider-Kreuznach joins Micro Four Thirds

German lens maker Schneider-Kreuznach has announced it is joining the Micro Four Thirds system standard established by Olympus and Panasonic. The company has not announced what it plans to contribute to the system - whether it will adapt its existing cine primes or develop entirely new designs for the system. The move follows Japanese maker Cosina joining in August 2010 which has resulted in the launch of the Voigtländer Nokton 25mm F0.95.

SCHNEIDER KREUZNACH now a member of the “Micro Four Thirds System Standard Group”

Bad Kreuznach, 04.02.2011, Schneider-Kreuznach has joined the “Micro Four Thirds System Standard Group” – a consortium of companies with the objective of improving the possibilities and quality of compact digital cameras. Developed by Olympus and Panasonic, “Micro Four Thirds” is a standard for lens mounts that is tailored to digital system cameras. “This standard has great potential. It simplifies and improves the options for compact digital cameras and offers an excellent opportunity for the industry as a whole, as well as for us as a lens manufacturer. We are working intensively on a corresponding series of lenses,” says Dr. Josef Staub, CEO of the Schneider Group.

The standard defines the sensor size, the lens mount together with the communication protocol, the aspect ratio and the flange back distance, as well as the optical requirements for production and construction. The industry standard has been developed deliberately without taking into account conventional lenses, cameras or sensor sizes. In this way, compatibility problems with older components are avoided as is the need to compromise when designing new components.

The forum standard policy means that any member company can make and distribute accessories for the system that meet the standard. It is therefore possible to combine components from different manufacturers.

yangxi
post Feb 5 2011, 10:53 PM

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ask question.

Does GF2 can enable HDR feature ? (if backlight potrait . how do i set ?)
merajey
post Feb 6 2011, 12:16 AM

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look like all the legacy lens start to move towards m43!!! rclxms.gif
raptor_cZn
post Feb 6 2011, 01:41 AM

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QUOTE(yangxi @ Feb 5 2011, 10:53 PM)
ask question.

Does GF2 can enable HDR feature ?  (if backlight potrait . how do i set ?)
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If you don't mind blowing out the details in your background then you can spot meter your subject so that it will be properly exposed.

If you want to preserve the background details/exposure, then you will need to use flash to fill in on the subject.

Dunno about GF2 and HDR features lol.
highwind85
post Feb 6 2011, 02:41 PM

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anyone fancy some peking duck...tongue.gif
emook99
post Feb 6 2011, 02:48 PM

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Anyone knows where to get body jacket for E-PL1 like this

user posted image

the official one from Olympus is very exp, RM238 sad.gif
hnr2802
post Feb 6 2011, 03:09 PM

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does anybody here who own a gf1 wanna upgrade to gf2?
i just want the 20mm pancake, u take the body only.
if yes pls pm me because we could share.
nutrinos
post Feb 6 2011, 08:46 PM

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On the EPL1, can anybody enlighten me what or how are your settings Optimised to for Noise Reduction and Noise Filter? Much appreciated.
faidz85
post Feb 7 2011, 02:48 PM

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I always leave it to normal. I don't have the camera right now to confirm the settings. But I never really changed any settings.
nutrinos
post Feb 7 2011, 03:31 PM

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Here is something i found on the web:

How does the E-PL1 combat noise commonly found at high ISOs?

Digital cameras vary the light sensitivity of the image sensor by varying the gain voltage applied to the sensor, much like turning up the volume on a stereo. When the gain voltage is increased, as it is when shooting with higher ISOs, the sensor becomes hot. Hot pixels perform differently under extreme conditions. The result is a graininess known as “noise.”

Noise occurs whenever sufficient heat has built up on the image sensor. Therefore, it can also be seen in images with long exposures, such as night photographs, due to the additional heat generated by charging the sensor for an extended period of time. All digital cameras include technologies to minimize the effects of noise. The E-PL1 uses a sensor that dramatically decreases noise. In addition, it combats noise with two methods: NOISE FILTER and NOISE REDUCTION.

The NOISE FILTER function is found in the menu. It has four options: OFF, LOW, STANDARD and HIGH. The majority of digital cameras have a default noise filter that is always on. Some photographers feel that this reduces detail, so Olympus has included the option to not use a noise filter at all.

If NOISE FILTER is set to OFF, it is recommended to set the SHARPNESS setting to –2. If SHARPNESS is set to 0 it may exaggerate the noise when no noise filtering is being applied.

The NOISE REDUCTION function can also be enabled from the menu. After the first exposure, the camera makes a second exposure of equal length with the shutter closed. It then, in effect, overlays the two images, finds the hot pixels in the second image (essentially, any pixels that aren't black) and deletes the corresponding pixels from the first image. This doubles the shooting time. If the first exposure is 12 minutes 30 seconds, the second, black exposure will also be 12 minutes 30 seconds for a total exposure time of 25 minutes.
energie8
post Feb 7 2011, 03:36 PM

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I own a GF1 so add me to the list.
davidmak
post Feb 7 2011, 03:42 PM

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QUOTE(faidz85 @ Feb 7 2011, 02:48 PM)
I always leave it to normal. I don't have the camera right now to confirm the settings. But I never really changed any settings.
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Also remember to change the Gradation to Normal. Default is Auto and it always attempt to lift the shadows revealing noise in these areas. In my opinion, the best optimization is to shoot Raw and deal with them on the post processing stage.
nutrinos
post Feb 7 2011, 03:45 PM

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QUOTE(davidmak @ Feb 7 2011, 03:42 PM)
Also remember to change the Gradation to Normal. Default is Auto and it always attempt to lift the shadows revealing noise in these areas. In my opinion, the best optimization is to shoot Raw and deal with them on the post processing stage.
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OK, thats some thought to tinkle about...
SUSgogo2
post Feb 7 2011, 03:45 PM

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QUOTE(davidmak @ Feb 7 2011, 03:42 PM)
Also remember to change the Gradation to Normal. Default is Auto and it always attempt to lift the shadows revealing noise in these areas. In my opinion, the best optimization is to shoot Raw and deal with them on the post processing stage.
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i dunno about u.. but m43 majority user is not PP user... we're jpg shooter
nutrinos
post Feb 7 2011, 03:46 PM

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This strikes me:
If NOISE FILTER is set to OFF, it is recommended to set the SHARPNESS setting to –2. If SHARPNESS is set to 0 it may exaggerate the noise when no noise filtering is being applied.


Added on February 7, 2011, 3:50 pm
QUOTE(gogo2 @ Feb 7 2011, 03:45 PM)
i dunno about u.. but m43 majority user is not PP user... we're jpg shooter
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Me a jpeg too. Read somewhere that Oly Jpegs r as good as raw or is it the other way round. Tweaking raw has not much advantage as someone pointed.

This post has been edited by nutrinos: Feb 7 2011, 03:50 PM
ahhann
post Feb 7 2011, 04:45 PM

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GF-1 20mm pancake = RM1999 @ Best Denki
In my pocket now biggrin.gif
SUSgogo2
post Feb 7 2011, 04:50 PM

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QUOTE(ahhann @ Feb 7 2011, 04:45 PM)
GF-1 20mm pancake = RM1999 @ Best Denki
In my pocket now biggrin.gif
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omg... awesome price
faidz85
post Feb 7 2011, 07:06 PM

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Carl Zeiss joins m43. Though its a good news, but I wonder how many would be able to afford.

But at least that should be the driving force for Olympus to produce more bodies!

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