loyatttt:
Hey, you gotta tell us what you expect, so we can tell you whether it meets your expectations or not.
I can tell you a Lamborghini Murcielago is a GREAT car, but I don't know you're looking for a 4 seater, so it's not so great is it?
I've had an A900 for 2.5 years now. I shoot low-light musical performances without using flash, events, weddings and street photography.
It has no problems with artificial light, and no problems with flourescent light.
There are no banding issues with the A900.
The outer focus points are sensitive in low light provided you give them a point of contrast e.g. an eye. Just don't expect it to focus on a plain wall. Coincidentally though, the A900's center AF point has
FIVE sensors and is one of the few that can focus on a plain wall in low light.
In comparison the Nikons max out at 2 sensors per focus point (cross sensor) and the Canons max out at 3 (cross sensor + F2.8 sensor). The A700, A850 and A900 have dual cross sensors and a F2.8 sensor in the center.
In short, the center AF point is dead reliable and fast no matter where you are. However the outer points are all single line sensors, and single line sensors only detect detail in one orientation. So you can focus on a flag pole using a horizontal line sensor, but a vertical line sensor will not lock focus on this flag pole. Unless you turn your camera sideways.

This is inherent to all line sensors in all cameras - it's not a Sony thing. A smart thing that the older Alphas had, was to have diagonal line sensors.

Dynamic range and color on the A900 is fantastic. Of course, dynamic range relies on you relying on Sony's idea of metering. In high contrast situations, Alphas will prefer to underexpose so that it keeps the detail and color on the highlights.
The downside of this is that when you underexpose, and you increase exposure in Photoshop or any RAW editing software, is that the gain is increased and thus you get noise.
So, faced with a giant lamppost behind somebody's head, you can choose to screw the lightbulb and just press the AEL button on the person. So the person is correctly exposed, no noise, but the lightbulb is saturated in white.
Color is also fantastic - you get a lot more color tones especially in faces compared to Nikon (which has less color in order to achieve less apparent noise - that's why all these high ISO shots have faces that are one shade of brown) and Canon (which mutes the reds and greens, hence the duller look).
The other thing I love is the button layout and ergonomics. The A900 is operable using the right hand and the buttons are all there, even on the vertical grip. Heck the joystick is there in full size, on the grip. The vertical grip feels the same as the camera grip - on other brands, the vertical grip is shaped like a brick and has very few buttons. So you have to relearn your button layout and know that you cannot access all functions when using the vertical grip. This is not an issue at all on the A700/A850/A900 vertical grips.
jimlim007: If you can't wait pick up a cheap A33 and you get fast video AF
right now.
This post has been edited by albnok: Apr 16 2011, 05:07 PM