
Just got myself this model KLV-40Z450A, here are my impressions:-
1. I had the Bravia X 40" before, the KLV-40X200 and the KLV-40X350, and this Z beats them both, IMO, in terms of aesthetics and size. The "Midnight sky" bezel is dark blue in color, although it looks more towards black than blue. The bezel is "sprinkled" with tiny flecks of sparkling material that only shows itself upon close inspection, which lends itself to making this unit looking classy. Also good news to me is that, the speaker settings have been placed under the panel instead of by the two sides, reducing the width further. I'm space-challenged when it comes to the location of this unit, so it works even better with those additional tolerances.
2. The Z still uses the contemporary Sony-style navigation system, with pressing the subsequent buttons to access a function, and then stepping through them to access the deeper option tree. Only the new Bravia X incorporates the Xross MediaBar style ala PS3/PSP. This is a personal choice, but I'd prefer the old navigation system than the Xross Mediabar system. Reason being, I am using the Harmony ONE Universal Remote, and with the Xross MediaBar, programming the "Activities" into the Harmony ONE would be virtually impossible, not to mention, having to wait for the "Activities" actions to self-navigate itself through the Xross MediaBar system. Others may prefer this, but I've been spoiled by the Harmony ONE's excellent "Activities" one-button-turns-everything-on system.
3. 3 x HDMI ports capable of up to 1080p/24, as well as 2 x Component inputs capable up to 1080p/60. Connecting via HDMI allows "Vivid", "Standard" and "Cinema" Picture modes, while Components discards "Vivid". This is a step up against the Bravia X of old, where the Components are restricted to 1080i only.
4. In essense, the KLV-40Z450A is a stripped-down version of the KDL-40X4500 which is yet to appear on store shelves in the US, and a close cousin to the X1 Japanese series with the addition of Motionflow 200Hz. What all this mean is that, this set is SPECIFICALLY MADE for the South East Asia region, with the hindsight to add the latest Motionflow 200Hz feature only available on the latest XBR7 model (US), or the XR1 model in Japan. Even the XR1 model in Japan still only incorporates Motionflow 120Hz, and not the 200Hz step up.
What is Motionflow, you ask? Motionflow technology basically fills in the gap between refresh rates of the material you are watching with additional frames, making the image looks contiguous, continuous and smooth. We have the first step towards more lifelike film quality video with the advent of 1080p/24, and further enhanced by the 100Hz/120Hz refresh rates, and now Sony doubles that. Why the difference of 100/120Hz is due to how HDTV transmissive material being broadcasted, nomenclatured as 50/60Hz of the respective resolution (720p/1080p 50/60Hz). Sony effectively quadruples this, making the action onscreen looks silky smooth. This however is an acquired taste, just like how Malaysian like durians and the Westerners abhors them. Personally, I love Motionflow, and setting it up to the highest setting sets up a lifelike, "Holy shit, it looks like it's been shot by a camcorder" kinda look, that lends itself to like seeing it live before your eyes.
This effect also spills its benefits to any other source materials other than Blu-ray. I have an Onkyo DV-HD805 HD-DVD player equipped with Silicon Optics ReonVX upscaling video processor, which does 1080p/24, and together with Motionflow 200Hz, it absolutely fools the eyes into thinking that you're watching upconverted DVDs(pristine reference materials only) as a High Definition source. I've also an Apple TV connected via HDMI, set to upconvert any movies streamed to it to 1080p. Coupled with Motionflow 200Hz, even ripped DVDs (into MP4 formats) benefits from the film-lifelike PQ. And this is from movie DVDs ripped using standard presets on a Mac to the Apple TV, no magic fairy dust or absurdly high video bitrate settings. The movie may still look below-HD standards, but Motionflow 200Hz lends itself a "fluidity" quality that is missing before this, when it is obviously viewed as "video", and not "film".
For further simplified example of Motionflow 200Hz, click the link on my sig below.
5. As I've said before, this model is missing the Bravia widgets and other internet-related features on the American-based X4500 series, which is to me, is not a huge loss at all, since using those features requires dragging Ethernet cable to the unit, and I'm not too keen on that idea. I'm keeping my HDTVs as a source to view my movies and media, anything else beyond that is just icing on the cake. I still get to eat the cake.
6. For best results, and if you dont have access to ISF calirators/calibrating devices, these settings from TweakTV.com works wonders. Blu-rays like Kung Fu Panda just LEAPS OFF THE SCREEN with these settings, and if you want to tweak it further, without going for calibrators, use the Digital Video Essentials you can get from Amazon. I've set both tweaks on the "Standard" and "Cinema" Picture modes respectively, and IMO, still prefer the settings from TweakTV.com. This is of course, heavily dependant on your room environment and lighting configurations. I view my movies in my room, totally dark.
Other ports on this model includes Digital Media Port which can be used with Sony's own NWZ-A82X series Video Walkmans, in which a special cable is needed to do so. My next trip to Osaka should bag me this cable.
I'm also planning to get proper ISF calibration done on this unit, it is a waste not to do this right, and have the colors, brightness, contrast and sharpness run awry. With the two calibration options I've used, it is as close as how it is intended, but not quite, and I'm already extremely pleased with the results. Cant wait to professionally calibrate it!
In summary, previous benefits of film-like looks was secluded only to the HD materials like Blu-ray and HD-DVDs, with post-processing done by the players themselves, and the TVs displaying the end result. With Motionflow 200Hz, this benefit is further extended to other materials as well. Upconversions to 1080p is again up to the players, but while Blu-rays and HD-DVDs have the 24p mode to allow that silky-smooth film-like look, other non-HD materials now can enjoy the same benefits with Sony's Motionflow 200Hz.
End result? I've just hosted a Lost Season 5 TV Show night event at my place for our usual TV Show group of friends, and they were astonished at how film/lifelike the episodes are, and these episodes are just the normal Standard Definition version purchased from Apple's iTunes! Mission accomplished!
This post has been edited by stringfellow: Jan 27 2009, 03:51 AM
Jan 27 2009, 02:46 AM, updated 17y ago
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