I believe he was running out of fuel and he was too low to eject.

As real as it can get... scary stuff. This film managed to capture the horrors of war with little to no dialogue.

IMAX did justice for this film. The roaring sounds of the planes, the gunfire, the explosions - - incredible.

Dare I say, this is one of those rare films you have to see on IMAX to truly grasp the nature/horrors of the story.

Best movie

Superb

can feel the "will i die next" stress

Just had my 2nd viewing but on IMAX this time.

It still hit me right at the feels just like how it did the first time.

And yeah it's still an awesome ride of a movie.

agreed with sound beat. The movie truly utilize the Imax sound to the max......

I was sleeping in the beginning and got caught by 1st shot sound....so loud.

haha seems like the epic soundgasm is stronk in here

I really want to watch this film, I missed it coming out in theatres, I like to watch such films that are large-scale. The only thing left is to watch it on tv

This is simply brilliant. Just comes to show that a great film can transcend time. No need for hi-fi visuals or sounds. Simply, the power of visual storytelling.

genius

I would kill 2 watch this version of Dunkirk more

btw here is my favorite chaplin film of all time hahahaha

Dunkirk running for 8 awards with top 2 out of the big 5 categories (picture / director)

more here http://variety.com/2018/film/news/list-201...ons-1202668757/

Best Picture:
“Call Me by Your Name”
“Darkest Hour”
“Dunkirk”
“Get Out”
“Lady Bird”
“Phantom Thread”
“The Post”
“The Shape of Water”
“Three Billboards Outside Ebbing, Missouri”

Director:
“Dunkirk,” Christopher Nolan
“Get Out,” Jordan Peele
“Lady Bird,” Greta Gerwig
“Phantom Thread,” Paul Thomas Anderson
“The Shape of Water,” Guillermo del Toro

Cinematography:
“Blade Runner 2049,” Roger Deakins
“Darkest Hour,” Bruno Delbonnel
“Dunkirk,” Hoyte van Hoytema
“Mudbound,” Rachel Morrison
“The Shape of Water,” Dan Laustsen

Film Editing:
“Baby Driver,” Jonathan Amos, Paul Machliss
“Dunkirk,” Lee Smith
“I, Tonya,” Tatiana S. Riegel
“The Shape of Water,” Sidney Wolinsky
“Three Billboards Outside Ebbing, Missouri,” Jon Gregory

Sound Editing:
“Baby Driver,” Julian Slater
“Blade Runner 2049,” Mark Mangini, Theo Green
“Dunkirk,” Alex Gibson, Richard King
“The Shape of Water,” Nathan Robitaille, Nelson Ferreira
“Star Wars: The Last Jedi,” Ren Klyce, Matthew Wood

Sound Mixing:
“Baby Driver,” Mary H. Ellis, Julian Slater, Tim Cavagin
“Blade Runner 2049,” Mac Ruth, Ron Bartlett, Doug Hephill
“Dunkirk,” Mark Weingarten, Gregg Landaker, Gary A. Rizzo
“The Shape of Water,” Glen Gauthier, Christian Cooke, Brad Zoern
“Star Wars: The Last Jedi,” Stuart Wilson, Ren Klyce, David Parker, Michael Semanick

Production Design:
“Beauty and the Beast,” Sarah Greenwood; Katie Spencer
“Blade Runner 2049,” Dennis Gassner, Alessandra Querzola
“Darkest Hour,” Sarah Greenwood, Katie Spencer
“Dunkirk,” Nathan Crowley, Gary Fettis
“The Shape of Water,” Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau

Original Score:
“Dunkirk,” Hans Zimmer
“Phantom Thread,” Jonny Greenwood
“The Shape of Water,” Alexandre Desplat
“Star Wars: The Last Jedi,” John Williams
“Three Billboards Outside Ebbing, Missouri,” Carter Burwell

This post has been edited by skylinelover: Jan 25 2018, 10:55 AM

On 2nd viewing...some continuity errors and couple of bad acting scenes quite jarring. More or less of cross cutting the different timelines loses the appeal for me. It's like you already discover the inner workings of a magic trick. The barren art direction also becomung more distracting and everything looks too clean visually. Dunno why went to overdrive nitpicking maybe its that one trick pony experience.