GIBSON???? not epiphone???

hey,more details man! if its good get it for me!!!

im using it. anything u wanna ask about it?


who knows original mah. MIC should be those fake ones right? arent those fake MIC ones like around rm1k (the ones available here in malaysia)?

its built more for metal than a classic wah sound. however u can really tweak it to get the sound u want as there are alot of knobs for u to tweak. for ori crybaby u can lower the LO (totally down) while putting the Q higher(til what u want). of course, if u just want a crybaby sound, go get a crybaby. wd7 is a wah on its own, not a modelling wah whatsoever. cool thing with it other than able to tweak ur sound is that u can choose between auto switch function or manually(more traditional) switch function to turn the wah on.

im not sure what kind of funk sound u're after. sorry i duno jamiroquai.
why not test it out? its not built for funk though. as for reliability, this thing is like a tank. ive thrown mine around alot of times and i gig with it

well since its late at night i can only record with headphones.
http://download.yousendit.com/8C71AACC05EEEE3C
this is the setting at:
level:1 oclock
q: 2 oclock
lo:11 oclock
range: normal
footswitch mode: auto (means it only turns on when i step on it)
range fine tuning: full
auto off delay: off

ps: ignore my bad playing

TODAY IS METALZONE's BIRTHDAY!!!!!!!!!

sean, its bad coz thats what happens when its past midnight and u grab ur guitar to solo over a track not too familiar with. haha. in the middle u can hear melody was so off. anyways, the point was to show how the wah sounds as i use it.

pix, not only do we want pictures but i want SOUND CLIPS TOO!!!!

i dont play entirely cleanly. still need to work esp when i sweep pick.

most of the time i dont mute, unless i change strings very often and fast(thus therell be alot of noise) when soloing



This post has been edited by echobrainproject: Feb 6 2007, 09:48 PM

guess post msia is getting worse. i use to send stuff from east msia to west msia and it gets here the next day.

i use those rm1 hair bands when i tap. shop owners give me a weird look everytime i buy hairbands thats for girls. lol


see the black colour hair band on the first fret? hehe.

This post has been edited by echobrainproject: Feb 7 2007, 12:08 AM

not too furry


that doesnt sound rite.

anyways, its only used when u're soloing, not when u need open strings and stuff. i only use it when i do taps all the time or when i do slaps and harmonics on my acoustic(as the open string ringing will mix with the harmonics when i 'slap' my acoustic)

with a 6 string guitar im already complaining for not being able to play so many notes because of my short fingers, what more say a 7 string with a bigger neck. lol

yes its true u need to train your pinky finger. for me strength is not a problem (some of u remember an old video i posted here? i solo and do bends with my pinky). one exercise i recommend is the gary hoey exercise (hammer on and pull offs).

what made them leave their previous label?

knowing the rebellion spirit in most metal fans, getting TOO big and dominating might not be a good thing. might just backfire on them(the label).

anyways, cant wait for DT's new album.

and also g3 dvd. petrucci and paul gilbert jamming!!!!

im back in kuching. no electric for me at the moment....

but thank God i have a baby taylor to travel with. so i guess i would focus more on acoustic tapping, slapping, etc techniques. more towards players like justin king. also brought bck with me my mini portable studio with my laptop and m-audio midi controller so can make some digital music. gosh, wish i own a m audio finger trigger too!

i jz watched bullet for my valentine's live in brixton DVD.
might not be your thing, but im impressed and surprised how well they can deliver live. vocals was good too

WHAT????!!!!
now THAT I GOTTA WATCH!!!

off to search youtube.

as for the bullet for my valentine dvd, i wont tell any of u where i got it due to lowyat rules

it wasnt that bad.

look at mark, reminds me of zakk.