So many ppl here using d3 in AFAX here.... 

I think nearly the same bokeh and DOF for 85mm at 85 1.4 and 70200mm at 200 f2.8. Or it is my eyes

Just wanna see 200 on the left and 85 on the right.

Nobody with consumer camera will buy a 70-200vr lens to pair with it, at least also a D90 

While existing d90 users (like me) contemplates on upgrading to the well-argued d7000. My opinions are as follows :

1. keep your d90, If you wish to shoot or only shoot stills. I personally find the d90 performs well under great pressure, not to mention I fell into a river with it, that time it was coupled with a 24 - 70 f2.8 (don't bother asking). But the body survived and to this very day i'm still happily shooting with it, not a single problem yet.

2. My domain is mainly gig and concert photography, I had used various lenses from the kit lens to the 50mm f1.4 to the 24 - 70 f2.8 and it really delivers, ISO 800 - 3200. Burst not fast enough? I think 4fps is more than enough.

3. For a polycarbonate body, it is quite robust and it fits my hand nicely, for the 720 video, please do ask yourselves, what would you do with the 1080? Alright, so you really wanna shoot videos and make mini films. Fine, but please do remember that shooting nice, pro-looking videos does not sorely relies on the body itself, It also means a new set of prime lens, a badass external mic, a badass video rig and of course this also means more 'investment' needed. And also, It's a cropped sensor, so to go as wide (for that film look) you would need a super wide prime lens (which are obviously, very very expensive).

4. the d7000 is definitely something, I dig the 100% VF area, the extra AF points, the magnesium-alloy body. This easily is a contender to the semi-pro d300s

5. Sometime Ken Rockwell speaks through his a*s. Don't listen to him. the d90 will survive for the years to come, If you really want an upgrade, keep your money, treat yourself to a better glass. It will all come to sense later.

6. To my fellow d90 comrades, I do really hope you would justify your options thoroughly. If you want to my view my work with the d90. I can provide you the link to my blog and my Flickr.

Ken Rockwell is the Chuck Norris of photography

Ken Rockwell's camera has similar settings to ours, except his are: P[erfect] Av[Awesome Priority Tv[Totally Awesome Priority] M[ajestic]

Ken Rockwell doesn't color correct. He adjusts your world to match his.

Sure, Ken Rockwell deletes a bad photo or two. Other people call these Pulitzers.

Ken Rockwell doesn't adjust his DOF, he changes space-time.

Circle of confusion? You might be confused. Ken Rockwell never is.

Ken Rockwell doesn't wait for the light when he shoots a landscape - the light waits for him.

Ken Rockwell never flips his camera in portrait position, he flips the earth

Ken Rockwell ordered an L-lens from Nikon, and got one.

Ken Rockwell is the only person to have photographed Jesus; unfortunately he ran out of film and had to use a piece of cloth instead.

When Ken Rockwell brackets a shot, the three versions of the photo win first place in three different categories

Before Nikon or Canon releases a camera they go to Ken and they ask him to test them, the best cameras get a Nikon sticker and the less good get a Canon sticker

Once Ken tested a camera, he said I cant even put Canon on this one,thats how Pentax was born

Rockwellian policy isn't doublethink - Ken doesn't even need to think once

Ken Rockwell doesn't use flash ever since the Nagasaki incident.

Only Ken Rockwell can take pictures of Ken Rockwell; everyone else would just get their film overexposed by the light of his genius

Ken Rockwell wanted something to distract the lesser photographers, and lo, there were ducks.

Ken Rockwell is the only one who can take self-portraits of you

Ken Rockwell's nudes were fully clothed at the time of exposure

Ken Rockwell once designed a zoom lens. You know it as the Hubble SpaceTelescope.

When Ken unpacks his CF card, it already has masterpieces on it.

Rockwell portraits are so lifelike, they have to pay taxes

On Ken Rockwell's desktop, the Trash Icon is really a link to National Geographic Magazine

Ken Rockwell spells point-and-shoot "h-a-s-s-e-l-b-l-a-d"

When Ken Rockwell went digital, National Geographic nearly went out of business because he was no longer phyically discarding photos

For every 10 shots that Ken Rockwell takes, 11 are keepers.

Ken Rockwell's digital files consist of 0's, 1's AND 2's.

Ken Rockwell never focus, everything moves into his DoF

Ken Rockwell's shots are so perfect, Adobe redesigned photoshop for him: all it consists of is a close button.

The term tripod was coined after his silhouette

Ken Rockwell never produces awful work, only work too advanced for the viewer

A certain braind of hig-end cameras was named after people noticed the quality was a lot "like a" rockwell

Ken Rockwell isn't the Chuck Norris of photography; Chuck Norris is the Ken Rockwell of martial arts.

Ken Rockwell never starts, he continues

"Before Nikon or Canon releases a camera they go to Ken and they ask him to test them, the best cameras get a Nikon sticker and the less good get a Canon sticker"

Byw, anyone using macro lens? Thinking of SP90 instead of upgrading to D7000. Used my friend's macro last time and loved every second of it Ohh and can it be used as a prime? Haha

105VR. I say no to third party tho SP90 also not bad. Macro lover around me usually use that

Taken with 85mm f/1.4G

XS-Pro on your 50mm?

Spam

105VR. I say no to third party tho SP90 also not bad. Macro lover around me usually use that

Yeah, that is shot with the 85mm f/1.4 .

Fingers crossed, should have some portrait session today xD.