I think we are still a long way from here, Cassie.

They treated the performers as invisible. The least they could do is announce their names. It may seem like a small thing. If I put myself in mei mei shoes, I would had been heart broken. She put enough effort for a chance to play at a philharmonic hall but there was no mention of her being there.

It seem to me like the leader for that night just want to feed his vanity and ambitions. Most of the time was allocated to his piano and his saprano girlfriend (my suspicion only). I can also tell he is a great fan of 黄水谣's third cantata or yellow river wrath (as he translated it). Perhaps he thinks he can render it better with a piano duet. He tried to create successive big waves (compared to my simple version) using two pianos. He was a bit dissapointed when he had a smaller appaluse than 战台风. It not surprising because 战台风 uses a difficult grade7 skill called 扫摇 and that is good enough to charm the audience. In contrast people could not see 黄水谣's granduer when rendered by two pianos. It just like sounded like any other gui lao's music.

Cassie,
I am not using my bias to judge. I am using the audience applause. You have to know the context of 黄水谣 to appreciate what they are doing and the audience do not the context.

I think I must scold you lah. I don't address a note to you (by writting youn name on top) then you dont read it. I had talk about 扫摇already. While talking about it, I asked you some question. They are in bold.