If the video source do support HDR , it should automatically be turned on .
Most of the time , Cinema & the ISF / technicolor mode are accurate enough , so you do not really need to adjust these settings too muich .
Under HDR settings , just leave your OLED Lights to max .
The OLED Light settings on LG OLED TV 's Dolby Vision mode is a little special , so just leave that @ 50.
Yep , I am aware of that . In fact I have mentioned that on previous page as well , it is baked into the dynamic contrast from last year's model.
But in this case most people shouldn't turn it on , because the dynamic contrast adjustment will cause some of the fine details to vanish.
It's similar to contour banding improvement this year , combined with mpeg noise reduction settings , yet another setting most are hesitate to leave On. I know all the video purist are straying away off it , but we have seen how awesome the smooth gradation from Sony TVs can be . The LG's A9 version is just as capable , if not surpassing it . It does comes at a cost of some little fine shadow details , I can live with that.
I agree with you , being no right and wrongs . But all of us have preference , no ? Personally I just can't get used to the Sony OLED's approach to their tonemapping . Some people are particularly sensitive to graphical details . LG's OLED is just excellent at making these highlight shine , where on Sony's side , the white clipping effects are too heavy , even if the object end up to be brighter.
And sadly it is as you said , color volume does remain a struggle for all the OLED due to the wRGB Panel
But again , human eyes are vulnerable and poor compare to many animals . We can perceive more colors and details in the darker zones than white , blinding highlight area .
Your tools can measure more values at higher luminance , but can the average joe's untrained eyes perceive all these difference ? 500~nits in a dark room , I already find myself struggling to stare at the edges of sunlight on the screen . To actually notice much more details and colors would be quite a challenge . At 1000 nits ? I almost can't tell if the center of that sparkling dot was of white or blue .
I am not saying it doesn't matter because the color difference is definitely there , but how big of a difference it makes with an untrained perception? . Especially when most of these specular highlights that are mastered at high cd/m2 are white lights.
That is also why OLED panels , despite of lacking the peak brightness / color volume of those 2018 QLED , the perfect black level will ensure OLED remain the most impressive HDR experience in the market for now.
There are some points in this post that I would like to rebut and probably some points that I want to hv technical discussions around these to see if I can educate people here and other points that I want to re-emphasize. Will write more when I get to a proper computer.
Most posts here and in the AVS Forums tend to be about how to get cheap displays and how great the pictures look but it's important for people to understand how the technologies work and their limitations and strengths.