QUOTE(nick_drake @ Dec 11 2005, 10:44 AM)
u can't avoid that little overdrive on the clean channel, cause vox meant it to emulate the way the amp works in real life. well, playing a clean amp with the gain maxxed isnt really ideal. but then again, setting the gain to a point where everything starts to clean up, will result in a softer sound , relative to ur other hi gain setting.
yes, i do experience this, but i was nvr really too picky on my amp. seldom bother abt a really clean channel too, and i do like the raw crunch and overdrive

. (nerd, don't listen to this, u'll be fine with that clean setting)
so, only 3 of us got ad30s? i thought they were poised for world domination.
yeah I guess so. but I'm cool with it. I saved a preset with my favorite clean, the tweed with the treble and midrange turned up and bass and gain turned down.
I think they won't be poised for world domination until they add the Roland Jazz Chorus and a dedicated clean volume control

QUOTE(Pix @ Dec 11 2005, 12:14 PM)
nerd... i don't really understand... you put a lot of gain on your clean setting, but low volume ? that should be the opposite : volume knob at maxxximum, and then you only increase the gain so you have a decent overall volume.
furthermore, don't say your amp is a tube amp because it is not true : your amp is a solid state amp with a tube in the pre-amp section. breaking up that particular tube is OK for more distortion (that can be discussed), but for the cleans and crunch, it is usually agreed that it shouldn't breakup. (in a tube amp, the tubes that are meant to break up are the ones in the power amp section). The main impact of your tube in the preamp is to provide a good and warm dynamic attack (here also, that point is subject to discussion..). Actually I don't care about theory, i'm totally turned on by my Line6 Pod, so I'm convinced your amp is Da Bomb too !
tweed amp should modelize the sound of the Fender Bassman, Fender DeVille and Peavey Classic... way to go, dude

I never said mine was a tube dude.. I just asked about the softer cleans on tube amps generally in my previous post.

.but then the AD30 does share the characteristics of a tube like what drake said. It's a tube preamp stuck in the poweramp section. So it has that break up at high gain on the clean channel.
Yeah I made a mistake, what I really meant that, when I just bought the amp, I maxed out the gain and straight away changed to a clean amp and found the distortion. After much tinkering and with drake's help, I managed to tinker around and find a clean, usable amp. BUT.. the overall volume is still pretty low. And THAT's my main gripe about the amp.

And yeah, I think my amp is Da Bomb too!

QUOTE(led_zep_freak @ Dec 11 2005, 12:27 PM)
Well, for me crunch also refers to the sound a cranked Marshall produces, crunchy clean is what I call it.
nerd, yeah it's strange that they didn't model the Roland Jazz Chorus too. The Roland Cube has an amazing clean channel.

Yeah that's what I heard too.. but then you gain some you lose some I guess. At least at that price.
Okay that aside,
Today I really got to test the true colours of my Vox AD30VT. I brought it to a jam session in my cousin's house in Taman Tun. He lives in a bungalow so we could just crank up the damn volume. I played the Vox with all the volumes maxed, and the voltage selector about 1-2 bars from max. Hell yeah, we created havoc.
My cousin has his LTD MH-50 hooked up to a Zoom GFX-5 and a Kustom KLR16 and I must say, it really stood on it's own against the Vox. Impressive lineup. Very impressed with the Zoom mainly. It's wah effects are really awesome and the modelisation is really good. Okay, we're here to elaborate the Vox not my cousin's setup.

So anyway, with those settings maxed above, and my MH-50 cousin on lead (he's better than me but he's 2 years younger!

) we began to jam Enter Sandman, Fade to Black, Nothing Else Matters, For Whom The Bell Tolls, Master of Puppets and Wherever I May Roam. I switched between playing rhythm with another cousin, and used the Tweed for my clean and the Numetal for distortion.
Paired with the "Higain" amp modeller on the Zoom, we really managed to create a deep, growling sound. Not really Metallica but I would say that was one of the heaviest sounds I've heard. Palm muted riffs sound extremely good on the Numetal setting.
When playing For Whom The Bell Tolls, I sat out as my other cousin took my place in playing rhythm. That, combined with the Zoom again, really created this roaring thunderous sound that could bring down the whole house. In the harmonics part of Fade to Black, the two guitars blended in flawlessly.
When I got to the clean parts in Master of Puppets and Fade to Black, I used my CH1 Tweed Preset which I stayed up until 2am to tinker, and I got a pleasant surprise.. it sounds pretty much okay, very gig-able. So I guess only on lower power outputs the volume problem occurs.
But, question is, how often do you get to blast your amp like that? At lower power outputs it still.. to put it plainly.. sucks.
So, even after a jam session with the Vox.. the verdict is..
Disappointing, but very much usable cleans at low output.
Very sweet, but not sugar cleans at high output.
I shall increase my verdict to an 8/10.
This post has been edited by nerd: Dec 11 2005, 11:46 PM