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 CLASSICAL MUSIC SOCIETY (SEL/KL), TJ Tham Guitar Workshop Successfully! Tq

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TStckian
post Jun 19 2010, 11:57 AM, updated 16y ago

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AIMS & OBJECTIVES

1. To promote a greater understanding of classical music for the music enthusiasts.
2. To provide a platform to nurture and hone musical talents and creativity unto excellence in music.
3. To encourage and promote positive activities regarding classical music.
4. To promote multicultural exchange through classical music via various instrument.
5. To provide opportunities for Malaysian musicians and composers to reach a wider audience for greater exposure.
6. To raise the standard of music education in Malaysia.
7. To collaborate with other local and international networks in the creation of relevant and sustainable music programmes.


ABOUT US

Classical Music Society (SEL/KL) was successfully registered on 12 April 2010 under Jabatan Pendaftaran Pertubuhan Negeri Selangor. This society consist of 9 committees and 7 sub-committees. Last year 2009, before register a society, all these 16 classical music enthusiasts group together and organized a classical guitar concert which held on 25 August 2009, It was very successfull and we had recieved a lot of good feedback. So, we decided go for register a proper society for oursleves after discussing, planning and arguing. So that we can organize more and more concerts & events in the future. The procedure of registering a society was extremely difficult. We had done a lot of paper work and spent a lot of time reading and understanding the rules & regulations. We start to sbmit our application documents that we have prepared to registrar on November 2009 and of cause, we have rejected few times. Until April 2010, we recieved a letter from registrar of societies stating our society had approved! flex.gif



**Stay with us, will have 4 concerts & events coming up on August until November.







_______________________________________________________________________
LYN THREAD LINK: CLASSICAL MUSIC SOCIETY (SEL/KL)
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This post has been edited by tckian: Jun 29 2010, 12:12 PM
TStckian
post Jun 19 2010, 11:57 AM

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UP-COMING CONCERTS & EVENTS



15th Aug 2010. Vocal Recital by Rohan de Lanerolle.
25th & 26th Sept. Flute & Guitar Duo.
30th Oct. Solo Classical Guitar Recital.
24th Nov. Solo Classical Guitar Recital.
Details ..... coming soon. biggrin.gif


**Will update soon...










_______________________________________________________________________
LYN THREAD LINK: CLASSICAL MUSIC SOCIETY (SEL/KL)
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This post has been edited by tckian: Jun 29 2010, 11:04 AM
TStckian
post Jun 19 2010, 11:59 AM

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PAST CONCERTS & EVENTS



Classical Guitar Workshop: " Thru the eyes of an overseas Classical Guitar Major "
Guest: TJ Tham
Dated: 27th June. 2010 (Sunday)
Time: 7:00pm – 9:00pm
Venue: Menuetto Music, Desa Park City


Observer: RM10
Performer for masterclass: RM15 (Please PM me. Places are limited)


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BIOGRAPHY
TJ Tham, 27, is currently a second year guitarist at the Royal Northern College of Music (RNCM) where he studies under the internationally acclaimed guitarist Craig Ogden (whom recently premiered a guitar concerto live for the BBC).

At the RNCM, TJ has also the opportunity to work alongside the great pedagogue Gordon Crosskey (a student of Segovia and good friend to John Williams). On top of being the first ever guitarist to be awarded the Ian-Hollingshead Fox bursary and RNCM bursary upon entrance to the college, TJ has performed extensively at the RNCM (mainly ensemble) and all over the United Kingdom.

Although a late starter of the guitar at the age of 19, TJ showed tremendous passion and love for the classical guitar. Not long after, he was fortunate enough to meet Gary Ryan (Guitarist, Composer, and Assistant Head of Strings at the Royal College of Music) at a summer camp here in Malaysia where he was recommended to audition for the conservatoires in the UK. At the age of 25, he was accepted to the RNCM and has never looked backed ever since.

His success as a guitarist can be attributed to the lessons and masterclasses he has had with Gary Ryan, Carlos Bonnell, David Russell, Xue Fei Yang, Berta Rojas, Julian Byzantine, and many others.


Address:
MENUETTO MUSIC
The WaterFront@ ParkCity
Lot FF-23, 5 Persiaran Residen,
Desa ParkCity, Off Jalan Damansara
52200 Kuala lumpur
Tel: 03-6280 7664


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" BEL CANTO DE GUITARRA " Night Concert
Date: 26 August 2009
Time: 8:00pm
Vanue: Bentley Music's Auditorium (Mutiara Damansara)

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RICHARD HAND (Special overseas guest performer)

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CHUA MAY LING (Local performer)

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FUNG TONG SEN (Local performer)

" BEL CANTO DE GUITARRA " Pre-Concert Performance:
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Classical Guitar Masterclasses & Workshop (Conducted by Richard Hand):
Date: 26 August 2009
Time: 9:00am-4:00pm
Vanue: Bentley Music's Auditorium (Mutiara Damansara)
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**Still updating...










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LYN THREAD LINK: CLASSICAL MUSIC SOCIETY (SEL/KL)
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This post has been edited by tckian: Jun 29 2010, 11:38 AM
TStckian
post Jun 19 2010, 12:01 PM

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Reserved for future use...











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LYN THREAD LINK: CLASSICAL MUSIC SOCIETY (SEL/KL)
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This post has been edited by tckian: Jun 21 2010, 04:17 PM
liez
post Jun 19 2010, 12:56 PM

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well, IMO...as long as MPO is there, it will be the major obstacle to malaysian's classical music development as no more professional orchestra will be recognised. Those which attempted to be one gotto live behind MPO's shadow which reserved it places for foreign players. Nearest to MPO's standard is KL Pac which is not even a professional orchestra.

oO yea...Btw...Hope KL Pac's conductor Brian Tan can recover sooner to generate the engine of Kl Pac Orchestra back.
MISHUGINA
post Jun 19 2010, 01:44 PM

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QUOTE(liez @ Jun 19 2010, 12:56 PM)
well, IMO...as long as MPO is there, it will be the major obstacle to malaysian's classical music development as no more professional orchestra will be recognised. Those which attempted to be one gotto live behind MPO's shadow which reserved it places for foreign players. Nearest to MPO's standard is KL Pac which is not even a professional orchestra.

oO yea...Btw...Hope KL Pac's conductor Brian Tan can recover sooner to generate the engine of Kl Pac Orchestra back.
*
Sorry I have to disagree with you. Malaysian classical music has been stagnating even before MPO came especially with history of political bollocking esp. between Penang orchestras.

Why MPO only has about 5 local permanent players? At least even if I feel their standards are too high at least they don't do nonsense like reserving Bumiputera quotas for hack musicians. And local musicians benefited by training under them.

Nearest to their standard is KLPAC? Its as if you're implying National Symphony Orchestra doesn't exist. They still do, even though they've virtually ceased to give live performances.



This post has been edited by MISHUGINA: Jun 20 2010, 12:09 AM
sebsebsebas
post Jun 19 2010, 02:01 PM

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any problem with 1Malaysia Youth Orchestra?
They seems to be doing fine..
well KLpac don even have strings except 1 double bass only.
they have so many saxophones.
MISHUGINA
post Jun 19 2010, 02:07 PM

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QUOTE(sebsebsebas @ Jun 19 2010, 02:01 PM)
any problem with 1Malaysia Youth Orchestra?
They seems to be doing fine..
well KLpac don even have strings except 1 double bass only.
they have so many saxophones.
*
You sure you din mistaken KLPac symphonic band with KLPAC sinfonietta?



This post has been edited by MISHUGINA: Jun 20 2010, 12:11 AM
TStckian
post Jun 19 2010, 06:40 PM

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QUOTE(liez @ Jun 19 2010, 12:56 PM)
well, IMO...as long as MPO is there, it will be the major obstacle to malaysian's classical music development as no more professional orchestra will be recognised. Those which attempted to be one gotto live behind MPO's shadow which reserved it places for foreign players. Nearest to MPO's standard is KL Pac which is not even a professional orchestra.

oO yea...Btw...Hope KL Pac's conductor Brian Tan can recover sooner to generate the engine of Kl Pac Orchestra back.
*
Want clarifying somethings:

Firstly, our society is not inttend to "attempted to be one gotto live behind MPO's shadow" or try to do better than MPO!!! We even didn't think about it!!! Our main purpose is to provide more classical music concerts & events and share to public. So that more and more people have opportunities to know about classical music. Why not??!! MPO was the best place to hear/enjoy classical music, no doubt about it!

Secondly, If want to organize a public concert or event legally, we need a 'license'. Otherwise goverment will consider our concert is a illegal gathering. The 'license' allowed us to do publicities too. Everything that we had done have to let the Jabatan Pendaftaran Pertubuhan Negeri Selangor, including our meeting. Thats why we need a proper society.

_________________________________________

**Please do more about discussion about classical music or leave a feedback to us to help us improve! Thank you!! ^^








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LYN THREAD LINK: CLASSICAL MUSIC SOCIETY (SEL/KL)
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This post has been edited by tckian: Jun 28 2010, 09:46 PM
ariffdude
post Jun 20 2010, 11:45 AM

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Any metal fans over here? I'm not sure u agree with me, but metal has it's origin from classical. I say I can relate death metal more to classical rather than rock.
TStckian
post Jun 21 2010, 12:30 AM

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QUOTE(ariffdude @ Jun 20 2010, 11:45 AM)
Any metal fans over here? I'm not sure u agree with me, but metal has it's origin from classical. I say I can relate death metal more to classical rather than rock.
*
Basiclly, classical music are the earliest music in western music history. Nowadays all contemporary music are origin from classical music. Musician always like to create and experiment on new kind of music or genre. Even classical music its self, also divided to 4 different period... Baroque, Classical, Romantic and 20th century. These 4 period shown different musical style and characteristic. It keep developt until today, a lot of different kind of genre appeared... like Jazz, Blues, Rock etc...








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This post has been edited by tckian: Jun 21 2010, 04:19 PM
faceless
post Jun 21 2010, 09:16 AM

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Congratulation to TS for forming this society. I wish your society the best in its future undertakings.
TStckian
post Jun 21 2010, 10:16 AM

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QUOTE(faceless @ Jun 21 2010, 09:16 AM)
Congratulation to TS for forming this society. I wish your society the best in its future undertakings.
*
Thank you! ^^

Our society is very new, a lot of things have to learn and improve. laugh.gif








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LYN THREAD LINK: CLASSICAL MUSIC SOCIETY (SEL/KL)
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This post has been edited by tckian: Jun 21 2010, 04:20 PM
faceless
post Jun 21 2010, 02:16 PM

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New is not a problem. You need dedicate members who are willing to commit their time.
TStckian
post Jun 21 2010, 02:21 PM

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QUOTE(faceless @ Jun 21 2010, 02:16 PM)
New is not a problem. You need dedicate members who are willing to commit their time.
*
Yeah! Ady have... We all actually are full time musician and teacher... We do for our passion!








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LYN THREAD LINK: CLASSICAL MUSIC SOCIETY (SEL/KL)
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This post has been edited by tckian: Jun 21 2010, 04:20 PM
smcg
post Jun 21 2010, 06:18 PM

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QUOTE(tckian @ Jun 21 2010, 12:30 AM)
Basiclly, classical music are the earliest music in western music history. Nowadays all contemporary music are origin from classical music. Musician always like to create and experiment on new kind of music or genre. Even classical music its self, also divided to 4 different period... Baroque, Classical, Romantic and 20th century. These 4 period shown different musical style and characteristic. It keep developt until today, a lot of different kind of genre appeared... like Jazz, Blues, Rock etc...
_______________________________________________________________________
LYN THREAD LINK: CLASSICAL MUSIC SOCIETY (SEL/KL)
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*
it should be Renaissance, then only Baroque, Classical, Romatic...
and come to 20 century, there's a modern period, then go contemporary...
TStckian
post Jun 21 2010, 07:24 PM

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QUOTE(smcg @ Jun 21 2010, 06:18 PM)
it should be Renaissance, then only Baroque, Classical, Romatic...
and come to 20 century, there's a modern period, then go contemporary...
*
Yes, Renaissance... Thanks for additional info... ^^ The 4 periods would be more commanly to mention in classical music.








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LYN THREAD LINK: CLASSICAL MUSIC SOCIETY (SEL/KL)
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This post has been edited by tckian: Jun 21 2010, 07:28 PM
sebsebsebas
post Jun 21 2010, 07:58 PM

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QUOTE(MISHUGINA @ Jun 19 2010, 02:07 PM)
You sure you din mistaken KLPac symphonic band with KLPAC sinfonietta?
*
oh im sorry, i think i was saying KLpac symphonic band.
the one which they held a concert conducted by mr mitsuo nonami biggrin.gif
liez
post Jun 25 2010, 09:30 PM

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QUOTE(MISHUGINA @ Jun 19 2010, 01:44 PM)
Sorry I have to disagree with you. Malaysian classical music has been stagnating even before MPO came especially with history of political bollocking esp. between Penang orchestras.

Why MPO only has about 5 local permanent players? At least even if I feel their standards are too high at least they don't do nonsense like reserving Bumiputera quotas for hack musicians.  And local musicians benefited by training under them.

Nearest to their standard is KLPAC? Its as if you're implying National Symphony Orchestra doesn't exist. They still do, even though they've virtually ceased to give live performances.
*
QUOTE(tckian @ Jun 19 2010, 06:40 PM)
Want clarifying somethings:

Firstly, our society is not inttend to "attempted to be one gotto live behind MPO's shadow" or try to do better than MPO!!! We even didn't think about it!!! Our main purpose is to provide more classical music concerts & events and share to public. So that more and more people have opportunities to know about classical music. Why not??!! MPO was the best place to hear/enjoy classical music, no doubt about it!
*
i'll give my opinion to both of you at the same time...erm....

-malaysia's classical music didn't really stagnate before MPO came in. Instead the industry is kinda rising. That was the period where more people try to learn the classical music instrument (or at least let their children do it)...That was the time many classical music competitions were held, scholarships given to classical music student, more classical music school was open.
-Then back then, there are a few amateurs and professional orchestra rising. The one in hakka tower (or sth liddat...the one in petaling street), KLSO, NSO (erm...back then the old NSO played in what we called as 'Aswara Music UC' now)
-Together with all the facts above...I understand...completely understand that the purpose of MPO being brought in is to bring the Malaysians some well played classical music...I can not deny that the standard of MPO can be replaced by local orchestras. There were advantages of bringing in MPO into Malaysia.

-but...
-what do you think is in the mind of our own classical musicians.
-They're being competed unfairly (becoz they worked out hard but lacked of the proper trainings that the foreigners had)...well at least if calling it unfairly itself will be unfair to the foreigners. The local classical musicians were outcasted. For so many thousands of them learned since young just to get into the music industry. But that was everyone's dream to paly in a professional orchestra but the standard's too high in there. DO we really need those high standards??? Now if you are a musicians (at least at the level of amateurs), you can tell me the truth...
-how much difference is there when a proper well trained classical musician compare to a foreign classical musican??? well trained means taking proper lessons, finish off at least the LTCL, went overseas to receive some foreign training and concepts...ETC....Those whom we called them understand the music.
-If you know classical music only a lil...u will tell me...there will be sure a difference if compared a well trained foreigners with a well trained local musican... But not really... To me, although there may be a slight difference...But both as human are equally good because the skills, techniques, learning materials are standardized!
-EVEN if there's a difference, do we need such difference? Are there tonnes of classical music critics in our country? are there really that much of classical music appreciators taht go researching about classical music, learn about them and wanted to listen to them perfectly. Not really....We are just in the 1st step in that industry, perfection is not what we are aiming. But promoting the classical music is.

-I am not trying to demote MPO as hell here as I joined their program last time as well. But besides that, I joined the old NSO junior and let me tell you... That was the BEST part of my classical music life because those programs gathered the whole Malaysian's classical music kids. Giving them hotel room and scheduled them to a 5 days or 1 week camp... Then until the NSO moved to pangung negara I was still in there.... Those are the promotions I wished to see again and those are money really worth spending in.
-The foreigners can give us lessons but I dont really hope they overtake the majority of our classical music industry. You will say I am conservative type and think only the best for our own. and those who cant get a job from MPO..should they only got themselves to be blame becoz they are just not good enough...??? But I am not sure about this but I feel MPO got a certain quota for foreigners. I felt that you have to be superb local to join the MPO but just above average foreigners to join the MPO.
-looking at that big grand MPO fortress, our local classical musicians demotivated, they know they are not going anywhere....Its just becoming a teacher and teach all night with some events and functions as side incomes. Those who wanna look for their old dreams joined orchestras but which mostly were outcasted by MPO. I've seen too many super good musicians stuck in the middle. Everything is going good ...But not so after MPO came in. I;ve seen too many of them....and many of them graduated from foreign country as well such as Italy, England, Russia, Australia etc...coming back to teach.

Well its open for different opinions as in the MPO thingy ...Those above are just my 2 cents.

Btw...to Mshugina...Sorry about those other orchestra's existence...its been too long since I played in an orchestra, now you reminded me of many mroe...like RTM, NSO, Anns orchestra, KLSE...well...many more....

and to tckia...I was not talking about your society ..In fact its nothing to do about your society...Its a discussion about classical music in our country and the effect of MPO.

QUOTE(sebsebsebas @ Jun 19 2010, 02:01 PM)
any problem with 1Malaysia Youth Orchestra?
They seems to be doing fine..
well KLpac don even have strings except 1 double bass only.
they have so many saxophones.
*
erm...Mishugina answered your question.

This post has been edited by liez: Jun 26 2010, 12:42 AM
TStckian
post Jun 26 2010, 12:12 AM

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QUOTE(liez @ Jun 25 2010, 09:30 PM)
i'll give my opinion to both of you at the same time...erm....

-malaysia's classical music didn't really stagnate before MPO came in. Instead the industry is kinda rising. That was the period where more people try to learn the classical music instrument (or at least let their children do it)...That was the time many classical music competitions were held, scholarships given to classical music student, more classical music school was open.
-Then back then, there are a few amateurs and professional orchestra rising. The one in hakka tower (or sth liddat...the one in petaling street), KLSO, NSO (erm...back then the old NSO played in what we called as 'Aswara Music UC' now)
-Together with all the facts above...I understand...completely understand that the purpose of MPO being brought in is to bring the Malaysians some well played classical music...I can not deny that the standard of MPO can be replaced by local orchestras. There were advantages of bringing in MPO into Malaysia.

-but...
-what do you think is in the mind of our own classical musicians.
-They're being competed unfairly (becoz they worked out hard but lacked of the proper trainings that the foreigners had)...well at least if calling it unfairly itself will be unfair to the foreigners. The local classical musicians were outcasted. For so many thousands of them learned since young just to get into the music industry. But that was everyone's dream to paly in a professional orchestra but the standard's too high in there. DO we really need those high standards???  Now if you are a musicians (at least at the level of amateurs), you can tell me the truth...
-how much difference is there when a proper well trained classical musician compare to a foreign classical musican??? well trained emans taking proper lessons, finish off at least the LTCL, went overseas to receive some foreign training and concepts...ETC....Those whom we called them understand the music.
-If you know classical music only a lil...u will tell me...there will be sure a difference if compared a well trained foreigners with a well trained local musican... But not really... To me, although there may be a slight difference...But both as human are equally good because the skills, techniques, learning materials are standardized!
-EVEN if there's a difference, do we need such difference? Are there tonnes of classical music critics in our country? are there really that much of classical music appreciators taht go researching about classical music, learn about them and wanted to listen to them perfectly. Not really....We are just in the 1st step in that industry, perfection is not what we are aiming. But promoting the classical music is.

-I am not trying to demote MPO as hell here as I joined their program last time as well. But besides that, I joined the old NSO junior and let me tell you... That was the BEST part of my classical music life because those programs gathered the whole Malaysian's classical music kids. Giving them hotel room and scheduled them to a 5 days or 1 week camp... Then until the NSO moved to pangung negara I was still in there.... Those are the promotions I wished to see again and those are money really worth spending in.
-The foreigners can give us lessons but I dont really hope they overtake the majority of our classical music industry. You will say I am conservative type and think only the best for our own. and those who cant get a job from MPO only got themselves to be blame becoz they are just not good enough... But I am not sure about this but I feel MPO got a certain quota for foreigners.
-looking at that big grand MPO fortress, our local classical musicians demotivated, they know they are not going anywhere....Its just becoming a teacher and teach all night with some events and functions as side incomes. Those who wanna look for their old dreams joined orchestras but which mostly were outcasted by MPO. I've seen too many super good musicians stuck in the middle. Everything is going good ...But not so after MPO came in. I;ve seen too many of them....and many of them graduated from foreign country as well such as Italy, England, Russia, Australia etc...coming back to teach.

Well its open for different opinions as in the MPO thingy ...Those above are just my 2 cents.

Btw...to Mshugina...Sorry about those other orchestra's existence...its been too long since I played in an orchestra, now you reminded me of many mroe...like RTM, NSO, Anns orchestra, KLSE...well...many more....

and to tckia...I was not talking about your society ..In fact its nothing to do about your society...Its a discussion about classical music in our country and the effect of MPO.
erm...Mishugina answered your question.
*
Hi bro... No worries bro.... very good opinion!!! That was the good discussion that i hope for in my thread... Thanks for sharing!

Yeah true, a lot of classical musician who graduated from overseas are very hard to survive in M'sia. Coz mostly ppl in M'sia are usually not prefer classical music, they are more prefer to pop music or other contemporary music (Not to say they don't appreciate classical music ^^). So, it is very important that every single orchestra group, classical musician or any classical music organizations in M'sia to promote classical music.










_______________________________________________________________________
LYN THREAD LINK: CLASSICAL MUSIC SOCIETY (SEL/KL)
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This post has been edited by tckian: Jun 26 2010, 12:15 AM

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