QUOTE(htkaki @ Mar 26 2009, 07:33 PM)
The other day A&L Amcorp quoted me RM2,850 for the CHT-12Q. Pricing ok ah?Subwoofer Discussion Thread, A thread for things that go BOOOOMMM!!!
Subwoofer Discussion Thread, A thread for things that go BOOOOMMM!!!
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Mar 31 2009, 03:38 PM
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#1
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Mar 31 2009, 08:35 PM
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- deleted -
This post has been edited by jchong: Mar 31 2009, 08:39 PM |
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Apr 1 2009, 05:39 PM
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#3
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So, is there any sub which is 'tight' or 'fast' and also has decent 'boom' (don't need ultra powerful 'boom') for about RM2.5k?
BTW, any body auditioned the Audio Pro B1.36 sub before? This post has been edited by jchong: Apr 1 2009, 05:43 PM |
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Apr 2 2009, 09:20 AM
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QUOTE(rakyat @ Apr 2 2009, 09:14 AM) IMHO Fr RM2.5k u can get either tight or fast or decent boom, u cannot get all three; the Velo CHT @ RM2.5k offers decent boom but not very tight. B&W offer tighter bass but don't go low enuf, had a Jamo which was very musical but fails on 'boom' Yeah I suppose at this budget level still have to compromise. I will be mainly using for watching movies (not music), so I suppose boom is more important? |
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Apr 3 2009, 12:55 AM
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#5
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QUOTE(lexonline @ Apr 3 2009, 12:10 AM) Ohh.. I missed out that one List price for Sub25 is US$3,999That is only for the Elite like our bro Horny.. |
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Apr 7 2009, 02:37 PM
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QUOTE(logit85 @ Apr 7 2009, 11:33 AM) Many of his links are in his signature. Here's one for example: http://forum.lowyat.net/topic/949411This post has been edited by jchong: Apr 7 2009, 02:40 PM |
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Apr 9 2009, 03:36 PM
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QUOTE(mpyw @ Apr 9 2009, 02:40 PM) USD50 each is quite acceptable. So mpyw you gonna bulk it in for us? Added on April 9, 2009, 3:37 pm QUOTE(htkaki @ Apr 9 2009, 02:42 PM) Sounds good to me!This post has been edited by jchong: Apr 9 2009, 03:37 PM |
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Apr 10 2009, 01:51 PM
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Apr 21 2009, 07:35 PM
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#9
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Apr 22 2009, 07:36 PM
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QUOTE(anfieldude @ Apr 22 2009, 08:21 AM) I would like to share something that I found recently. Subs are normally rated +/- 3dB. Typically it means that the sub will go as low as that within a tolerance of +/- 3dB from reference. The normal reference is 75dB. This rating is done in a quasi anechoic chamber/room. This does not mean that the sub cannot reproduce below that. It only means that the volume will be lower than 72dB. Subs normally have a very steep rolloff below their rating. Glad to see you're a calibration freak! My sub is rated at 26Hz (+/- 3dB). However, our room accoustics can lower or increase the frequency quite a bit. For example, if I use it in my dedicated stereo system I get +/- 3dB at 25Hz. However, if I were to change the sub phase to 0 from 180 I get a room response where my sub now is able to deliver 21Hz (+/-3dB). However, with this lower there is a huge peak at 37Hz. If I were to hook up my CD player to the CD input of my AVR amp and use the stereo mode (Audyssey enabled) the peaks are much flatter and the 37Hz is reduced. The sub response at 180 is also now down to 20Hz (+/- 3dB). The 37Hz hump is there but very much smaller (the fronts are still pre-out to my dedicated Holfi amp). I will try to post some graphs of my findings. At the moment, I am using a freeware (with a laptop), a USB soundcard and tripod mounted Radioshack SPL meter to show the response of the sub and mains at the lower frequencies. I am waiting for my new Galaxy Audio SPL meter that is calibrated tightly compared to the RS SPL that is known to be not as accurate. Also by moving my main speakers around, I get to see the flattest response with regards to my main listening position that improves the overall sound experience. The importance of a sub in a home theater environment compared to a music environment is different. In a pure HT environment, you would like the bass to enable enjoyment of the LFE (boom, explosions, gun shots). However, in a music environment, you want the subwoofer to supplement the main speakers and not cause unnecessary boominess. The sub must not be felt, it needs to be blend in. I wanted to point out that it is possible to go much lower than the sub is rated at depending on room placement and room accoustics. I will try my best to post the charts here within the next few weeks when I get my Galaxy Audio SPL meter. Thanks for sharing your experience on the sub response. Didn't know phase and hook up can affect the response like that. If you have Audyssey (which I think is supposed to even out the response) is it still necessary to calibrate with SPL meter? Yeah the sub ratings are important. At one point I was looking at the Audio Pro B1.36 sub and its freq response was listed as 25-100Hz, which I thought was quite good for a 10" driver. Then I decided to check on the limits and emailed them. They said the 25Hz was at -6 db. This turned me off. |
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Apr 23 2009, 03:23 PM
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QUOTE(anfieldude @ Apr 23 2009, 10:22 AM) For sound, your ears tell you something is not quite right, the measurements just confirm that. I know some guys, who have golden ears, came over to my house, heard the system, immediately moved the speakers to new position, adjusted the sub a little, lo and behold improvements in sound. If you do not have those ears, measurements help to see if you are in the right direction. You can also confirm that the changes you make are in the right direction.For most audio issues, the low to mid bass is the most problematic due to room issues. It causes loss of detail in other frequencies when it is wrongly set. Wish I had 'golden ears' like that.I am actually very pleased with Audyssey. I believe that Audyssey adjusts the filters quite right. However, after running Audyssey, it is important to check your speaker levels and correct it with a SPL meter. I found that it was off about 1-2dB, max 3dB. You r right, some companies report the frequencies quite differently, lucky for you , you checked. If, after running Audyssey, the speaker levels are still a little bit off then what else can you do to correct it? Use equalizer? Or do some adjustment to speaker position? |
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Apr 24 2009, 03:08 PM
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Apr 26 2009, 11:28 AM
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#13
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A recent review of the CHT-12Q: http://www.velodyne.com/news/review_files/...QR%20review.pdf
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Apr 26 2009, 01:39 PM
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QUOTE(nakata101 @ Apr 26 2009, 12:01 PM) I got myself a RW-12D, i never try Velo b4, so i cant compare with it, but i like my Klipsch so much, this sub really make me satisfy, i dun think i need other better sub anymore since this sub already enough to boom out the house from other street. Say, how much did the RW-12D cost? |
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Apr 26 2009, 03:20 PM
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QUOTE How I wish I can audition both before making the decision. Same here. One thing I find about shopping for hi-fi/HT equipment in Malaysia is there is no shop big enough to be able to demo different stuff in the same room. So it's hard to do an apples to apples comparison. You can listen at different shops but the environment changes and can't make accurate comparison. QUOTE Spec wise I think the RW12-D has more power. But both of these lose to the JBL ES250P which have 400w RMS continuos power and 700w peak and price much cheaper too...only Rm1800 for a 12" sub. Now i am really confused! Yeah RW-12D is 350W continuous vs 225W for the CHT-12Q. |
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Apr 26 2009, 06:52 PM
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QUOTE(htkaki @ Apr 26 2009, 05:08 PM) I have personnaly sold this sub before. it produce ample bass but not those 'vicious' bass that Velo generate. Strange but true. At this power rating, it sld have produce sofa shaking bass. But, no. Probably that lies in the built material or the driver itself as at this power rating, it sld be at least same weight or heavier than Velo or Klipsch. It only weighs in below 20kg. Wow, never heard bass described as 'vicious' before |
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Apr 28 2009, 08:01 PM
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Apr 28 2009, 11:12 PM
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Thanks for posting the charts. Quite informative.
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May 1 2009, 08:12 AM
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QUOTE(lightning69 @ May 1 2009, 01:07 AM) ![]() Frequency response of the Toy Tower L/R (purple trace), REL T1 subwoofer (blue trace), Toy Center center channel (green trace), and Toy surround (red trace) The REL T1’s close-miked response, normalized to the level at 80 Hz, indicates that the lower –3-dB point is at 43 Hz and the –6-dB point is at 36 Hz. The upper –3-dB point is at 98 Hz using the LFE input. Can someone explain what does the chart means. I'm interested in the blue trace which is the REL T1. My basic comment is this: when people look at sub performance one thing they wanna know is how low it can go. Specs will always state the freq response, e.g. from xx Hz to xx Hz. And this freq response is normally at -3 dB limit, meaning at what freq does the output reach -3 dB below the reference level. From what you quoted above, assume that they played the bass freq at a reference level of xx dB, when it gets to 43 Hz the output is xx -3 dB. Can the sub go lower? Yes, but output suffers, hence at 36 Hz the output is xx -6 dB. Awaiting further clarification/correction from anfieldude. Anyway, here's another freq response test of the Rel T1 from Sound & Vision. |
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May 1 2009, 01:44 PM
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QUOTE(anfieldude @ May 1 2009, 10:22 AM) Spot on bro. This is a pretty good response from the sub. It is tuned at 80Hz (~82dB), the -3dB (junction is at 43Hz). There is a hump and a drop. Quite steady. Of course your room accoustics might change all this, but a pretty good curve. My only concern is I do not think this sub goes too low. I believe it will struggle below 50Hz from looking at the charts. It does well above 50Hz. This might be an impediment for big movie moments.... What are the characteristics of a good curve? I'm trying to learn how to interpret them. For the T1 I can see the curve is quite pronounced going from 20-100 Hz. I always thought a flatter curve is more ideal?Anyway, what do you think of these graphs for the CHT-12Q? Here's a graph for the JL F113. One of the flattest curves I've seen (and I assume this is a very good thing right?): This post has been edited by jchong: May 1 2009, 02:01 PM |
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