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ahyam

http://www.dpreview.com/reviews/panasonicdmclx3/

Panasonic's LX series has always been home to the company's most ambitious compacts, offering a range of photographer-friendly features in a small, stylish and solid body festooned with external controls. It's been two years since the launch of the LX2 and the market has changed a lot in that time - the level of features offered even on inexpensive models has grown and the cost of all cameras, particularly DSLRs, has fallen drastically. Both of these trends risk reducing the potential market for premium compacts if their features are available on cheaper compacts, and much better photographic tools (in terms of flexibility of purpose and image quality) are available for only a little more money. So the LX3, more than its predecessors, has to play to its strengths - it needs to offer some of the best compact camera image quality, a good degree of user control and a body that is more convenient and pocketable than DSLRs can be.

And Panasonic seems fully aware of these challenges. When announcing the camera, the company pointed out that more pixels on the same sized sensor does not always result in better image quality and described its approach with the LX3 as: "boldly reversing the industry trend of pushing toward ever-higher pixel counts." It's an admirable position (though one that would be easier to acclaim if the company hadn't, on the same day, released one of the most pixel-dense cameras we've ever seen), and one that seems promising - the benefits of newer sensor and processing technology without those advances being strangled by the downsides of smaller pixels. (And we believe that if you offer more pixels with the hard drive clutter and slower camera operation they bring, then those pixels must be good at the pixel level, otherwise, what benefits do those additional pixels bring?)
Headline features

* 24mm wide 2.5x optical LEICA DC lens
* F2.0-2.8 maximum aperture range
* MEGA O.I.S.(Optical Image Stabilizer)
* Venus Engine IV
* Joystick-operated manual control
* Large 3.0” 460k dot LCD monitor
* Raw and JPEG recording modes
* Up to ISO 3200 sensitivity
* Up to 1280x720 (30 fps) pixel movie capture
* Manual exposure and focus options
* 1/2000th to 60 sec shutter speeds
* Available in black or silver

LX3 vs LX2: main differences

Although the outward appearance hasn't changed that dramatically, the LX2 and LX3 are very different creatures. The the easiest thing to miss about the LX3 is its lens - a part of the specification sheet that is sometimes easy to overlook as a string of numbers. With the LX3 it's really worth spending a moment thinking about it: starting at 24mm equivalent is pretty unusual in a compact camera. Offering an aperture range of F2.0-2.8 is extraordinary. But to combine the two and include Image Stabilization is simply astonishing - this is not an everyday lens and it's something that defines how the camera behaves and what it can be used for.

To put that aperture range in perspective, this means it's one 'stop' faster (brighter) at the wide end and over 1.5 brighter at the long end than the F2.8-4.9 lens fitted to its predecessor. And this means that you can get the same exposure using the same shutter speed but using a lower ISO setting than with the older camera.

Beyond that, there the new, higher-resolution rear screen that conforms to the more traditional 3:2 aspect ratio, rather than its forebear's 16:9 unit.

The other differences are:

* Similar pixel count sensor (10.1 vs 10.0 MP)
* Venus Engine VI (vs Venus Engine III)
* 3:2 aspect ratio 3-inch screen (was 2.8-inch 16:9)
* Flash hot-shoe
* Threaded lens barrel for adding optional conversion lenses or filters
* USB 2.0 Hi Speed interface (at last!)
* More internal memory (50 MB)
* 720p HD movie mode now at 30fps
* Closer minimum focusing distance: 1cm, rather than 5cm
* Faster continuous shooting (2.5fps for 8 frames, cf. 2fps for 5 frames)
* Separate component video out (for HD playback)
* Improved battery life
* Minor control and interface changes

Multi-aspect ratio



The LX3 does away with its predecessor's unusual 16:9 aspect ratio sensor, instead using a more conventional 4:3 sensor but then using only a crop from it, depending on aspect ratio. The key thing is that the LX3 even uses a crop from the sensor at 4:3 ratio, rather than using the entire sensor. Although this may seem perverse, the result is that the lens offers the same diagonal angle of view regardless of selected aspect ratio, making it much easier to get a feel for the behaviour of the lens. It also means you make the most of the sensor's area, getting similar pixel counts in all modes.

morning ahyam

http://www.dpreview.com/news/0811/08110502oly_e_30.asp


Olympus E-30 brief hands-on
Wednesday, 5 November 2008 05:00 GMT
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London, 5 November 2008 – A creative photographer’s most important tool is the power of expression – and the Olympus E-30 delivers it in spades. For the ultimate in artistic expression, the E-30 offers six Art Filters, each of which uses different settings to create incredible photographic effects that would otherwise require additional lenses, filters or complex editing.

A Multiple Exposure mode further bolsters the potential for distinctive artistry in compositions, as do the choice of nine separate aspect ratios. With the newly-developed high-speed 12.3 Megapixel Live MOS sensor and TruePic III+ image processor*, top quality image results are ensured. Ensuring an enjoyable photo experience, the monitor facilitates Live View framing ease from virtually any angle. Furthermore, thanks to built-in image stabilisation*, shots stay impressively sharp irrespective of the attached lens.

And because sometimes the perfect shot can present itself in the blink of an eye, the E-30 boasts a range of high-speed performance features to make sure that you’ll always be ready for it: lightning-fast autofocus speeds, 5fps sequential shooting and shutter speeds of up to 1/8000th sec. The E-30 will be available from mid-January 2009

Express yourself
Six innovative Art Filters enables special artistic effects to be created directly in the camera and put you in control of your composition: styles like Pop Art, Soft Focus, Pale & Light Colour, Light Tone, Grainy Film and Pin Hole let you capture your world the way you want to portray it.

These effects would normally require special lenses, filters, or image processing programs, but with the E-30, it all happens inside the camera. You can even preview the effect of a particular filter on the 2.7”/6.9cm HyperCrystal* II LCD before shooting.

What’s more, in Multiple Exposure* mode, several images can be superimposed on a previously-captured image to take photographic creativity to a whole new level. The E-30 also offers nine different aspect ratios for nine different takes on any scene. In addition, Live View with improved high-speed contrast autofocus depictions allows for easy framing of shots on the free-angle LCD.

Quality results
A range of great technologies helps ensure that the E-30 provides picture-perfect images every time. The newly developed 12.3 Megapixel Live MOS sensor provides amazing image quality at low power requirements. Combine this with the new TruePic III+ ultra high-speed image processor, and results must be seen to be believed.

Built-in mechanical image stabilisation rounds up the package, significantly reducing image blur caused by such factors as low light or camera shake. And to ensure that the E-30’s powerful sensor remains dust-free, the patented Olympus Supersonic Wave Filter is integrated.

A need for speed
Ever waited and waited for that perfect shot, and then missed it because your camera couldn’t keep up with the action? You don’t have to worry anymore because the E-30 is always prepared. High-speed shooting of up to 5fps in full 12.3 Megapixel mode and shutter speeds of up to 1/8000th sec. will help you capture even the fastest action shots. In addition, the E-30 incorporates a fully-biaxial 11-point AF system for incredible autofocusing speeds in any lighting conditions.

Additional features and accessories
For photographers looking for integrated features to improve their shooting experience, the E-30 has a lot to offer. Shadow Adjustment Technology helps lighten shadows in shots, while Face Detection Technology recognises and focuses on the faces of subjects in a composition. An integrated Level Gauge also appears on the LCD, in the viewfinder, and on the Control Panel on the back of the camera.

This functions like a level used in construction to ensure that your pictures will never be askew. And when it comes to accessories, the E-30 also covers the whole range. As part of the Olympus E-System and based on the Four Thirds Standard, many lenses and other accessories are available to ensure the E-30 takes creativity to a higher level.

From fish-eye, macro and ultra-wide-angle lenses through to ultra-zoom models, the ZUIKO DIGITAL range of lenses leaves nothing to be desired. New in the line-up is the ZUIKO DIGITAL 14-54mm 1:2.8-3.5 II lens, which also enables full contrast AF performance with the E-30.

The Olympus E-30 gives photographers a portable creative studio and provides everything required to live out and express creativity while enjoying pro-level image results, control and performance. It will go on sale from mid-January 2009.


We've had a quick chance to have a look at the new Olympus E-30, so have put together a brief hands-on report. This mid-level DSLR offers many features of the more expensive E-3, with a host of new functions pulled together in slightly smaller format. So what does the E-30 offer to entice the semi-professional shooter into the Four Thirds fold?
Olympus E-30 brief hands-on

The price gap between the upper-entry-level Olympus E-520 and more expensive E-3 has always suggested there is room for a mid-range DSLR to sit between them. What's not been so clear is what features could be removed from the E-3 or added to the E-520 that would justify the increased price over one without cannibalizing sales of the other. The E-30 is Olympus's answer to that challenge.



The obvious headline change over its forebears is the use of a new 12.3 megapixel Live MOS sensor that we suspect is closely related to the one we saw in the Panasonic G1. In addition is a new processing engine, dubbed TruePix III+ that helps provide many of the camera's new image processing features.
Side-by-side E-520, E-30 and E-3




The E-30 is considerably larger than the E-520, both is width and height but is less tall than the E-3, thanks to its new viewfinder.

The prism-type viewfinder, with its 1.02x magnification and 0.98x coverage is around 10% larger than the pentamirror unit included in the smaller E-System cameras while allowing the E-30 to be over 1cm (0.3 inches)smaller than the E-3. Olympus says the new unit is 60% of the volume of the E-3's prism and just 50% of the weight, helping the E-30 weigh-in around 20% lighter than its big brother.



The other obvious exterior feature is the camera's tilt and swivel LCD. It's a 2.7", 230,000 dot unit, meaning it can show the same level of detail as the E-3, though not in the same league as the latest offerings from several other manufacturers that are beginning to feature 920,000 dots on screens of similar sizes.

Like its mid-range peers, a battery grip (HLD-4) is available. It also offers a distinctly professional 1/8000th sec fastest shutter speed and 1/250th sec maximum flash sync speed.

here no post count why you post here?

i dun cheat post count

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vboy rocken

what is the first dish?

fried mushroom. but taste and texture like g-par

zar jiong min


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morning ahyam