I love bro aiman's siggy...first class....

war is coming, take cover.......

bro tot, i luv u siggy too

i luv bro tot as well ......

Im alright here

Soon I will be here more often but still i will never give up on 360 or hd-dvd.

Im not trying to be mean of anything but Aiman sig just sickens me.

wei I'm not a gay ler...you can try that on kak aYu...

Pop so fast learn... yesterday still ask what is JAV? haha!

Well, he is jst asking all the studios to go Blu. They can still produce HD-DVD, jst dont be exclusive to HD-DVD. ROFL, I'll settle for that.

bro Pop already knows what JAV stands for...he's just acting innocent...hehehehhe

kekeke! Pop when releasing your JAV titles to us?

If im a mod ... i just wipe Aiman sig all together. Lucky im not.

yea, lucky us

kamon guys.vote this bro for MOD so he can wipe all he want...

long live blu ray....yay

can vote ka? better vote me la bro ED
nice avatar bro

Haha .. thanks for the support

Ur sig is okie ... it just says Blu-ray

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Added on January 8, 2008, 5:42 pmDun get me started with u oso bro ... lol

This post has been edited by XenoFr3ak: Jan 8 2008, 05:42 PM

opposite menaning tu...

Thanks bro....

guys feel free to use this....

OK guys enough OT and all the "CELEBRATIONS"..... time for the news...

CES 2008: Dolby Laboratories


CES I sat with Craig Eggars, Senior Manager at Dolby Laboratories today. Craig was excited about Blu-ray disc and the next generation of audio technologies associated with it, such as Dolby TrueHD and Dolby Digital Plus.
At the Dolby booth here in CES, a wide variety of Dolby technologies were on display beneath a full-sized version of Bumblebee from Transformers. Blu-ray displays were everywhere, playing clips from some of the biggest hit films of the past year with Dolby TrueHD soundtracks. Craig discussed how Sony requested TrueHD on the Blu-ray disc of Dave Matthews and Tim Reynolds: Live at Radio City: even on a BD50, there wasn't enough room for a 5.1 24-bit PCM @96kHz track without serious compromises to the video quality. Using TrueHD cut the required storage space for audio nearly in half, without sacrificing any of the high quality lossless audio and video Blu-ray owners have come to expect.
Another interesting "bit" of information was that Dolby Plus on Blu-ray (used for discs with 7.1 soundtracks) actually encodes 9 channels in the bitstream. Embedded is a 5.1 optimized mix, and then if the user is able to take advantage of 7.1 the surround back channels are added, with different L+R surround channels substituted. This approach lets the listener get the full soundtrack in either 5.1 or 7.1 setups.

Unfortunately, other than the upcoming Celine Dion: A New Day... Live in Las Vegas, Craig was unable to discuss any upcoming titles in TrueHD or Dolby Digital Plus. He also stressed that consumers like us are the biggest driving force in getting what we want as far as audio goes on Blu-ray...so don't be afraid to tell the studios! I also asked him about comments and questions about why certain titles were encoded at a certain bit resolution, or used Dialog Normalization or were in TrueHD in some territories and not others. Craig was careful to emphasize that it is up to individual studios, not Dolby, to encode their titles. Other than providing guidelines and technical support, Dolby leaves it in the hands of the content owners in how they present their product to us. He again underscoring that it up to us to let the studios know what we want and what we don't.

The new technology Craig was most excited about is Dolby Volume. While it is not Blu-ray specific, it can be used for any playback through a receiver. Using a prototype Onkyo receiver (modified TX-NR905) and a Panasonic DMP-BD10, he demonstrated how various sources can have wildly different playback levels. Dolby Volume divides the signal into 40 bands and analyzes the gain, leveling out the sound between sources without affecting dynamic range or clarity, something older systems like dbx tried to do but introduced artifacts like "breathing" or "pumping".
Another advantage of Dolby Volume is the ability to maintain clarity of the soundtrack no matter the volume level. Analyzing the volume level set by the listener, it brings up quieter sounds that would be otherwise inaudible at low levels. It also enhances the surround immersion normally lost at low level listening. Dolby Volume is optional, with different preset levels available to the consumer. It can be used on any input source: be it BD, DVD, Satellite/Cable, iPod, XM/Sirius and so on. Dolby Volume will be available later this year.
Finally, I attended a demo in their Home Theater room. Various clips of films and concerts were shown in High Definition, including one from Transformers. Interestingly enough, it was a PlayStation 3 running the demo (make that what you will).


source : blu-ray.com