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 Gavotte french suite no.5 in G major by JS Bach, i need info on the above piece..urgent

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TSanthonyz
post Jun 27 2007, 09:27 PM, updated 19y ago

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Guys...i need to info for the piece Gavotte french suite no.5 in G major by Johann Sebastian Bach...urgent...any forms of website or forum..pls reply here...thanx...
Everdying
post Jun 27 2007, 10:31 PM

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if you're not really bothered to help yourself, why should the rest here bother?
afterall, a simple google search will turn up lots of info.
Equilibrium777
post Jun 27 2007, 10:51 PM

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don't really understand your question but if you want to find out where to find the score sheet then try harmony?

and if you want study material on the song then try wiki. . .
TSanthonyz
post Jun 27 2007, 11:52 PM

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i tried googling..not much info man
Everdying
post Jun 27 2007, 11:53 PM

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well, you still havent said what you want.
notation? history?
fatboythin
post Jun 27 2007, 11:58 PM

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yea, couldn't find anything on google... sorry man, can't help you...
TSanthonyz
post Jun 28 2007, 12:01 AM

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in that sense then..the elements of the piece..texture, harmony, the form and how did bach put the whole piece together rhythmically n harmonically..



Everdying
post Jun 28 2007, 12:18 AM

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funny how i can find some info.
dont ask me for more cos im not bothered.

The gavotte from the G major French Suite is another movement that many amateur pianists will recognize, for it is often included in anthologies of easy to intermediate piano music. As with all gavottes, this one begins and ends in the middle of a measure. This gavotte might be seen as an example of "Bach the progressive" - the Bach who was looking forward stylistically, anticipating the galant style of the middle of the 18th century. The texture is clean and crisp and primarily homophonic, with a moving bassline added in the second phrase (and later in the movement) for some variety-and, presumably, also for improving the dexterity of Bach's pupils. It is a spritely, cheerful movement marked by a single thematic idea which appears in inversion (at the beginning of the second half, and later in this section) and then is transferred to the bassline, before ultimately appearing again in the final phrase. Each time the pitches are different, but the gesture and outline of the phrase are the same.


TSanthonyz
post Jun 28 2007, 12:30 AM

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where do u got the info from?u mind sending me the url?

 

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