Lights, camera, propaganda! US government anti-Russia campaign invades Hollywood
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For years the influence of the CIA in Hollywood was hidden and unacknowledged. Now it’s more of an open secret; not publicized, but pretty easy to read up on if you care. Just ask the spy agency’s Entertainment Industry Liaison.
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CIA’s man in Hollywood wants to help actors, authors, directors, producers and screenwriters “gain a better understanding” of the intelligence agency in order to ensure “accurate portrayals” of its activities. It even wants to help fire up the neurons and actually give you some good ideas if you’re coming up short in that department. Indeed, the CIA provides “inspiration for future storylines” and lists them on its website. Of course, it’s all in the interest of creating authentic and balanced portrayals of US intelligence agencies and the US military. And they’re quite busy, too. Between 2006 and 2011, the CIA public relations office had input into at least 22 film and movie projects.
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Movies like Top Gun in the 1980s and Zero Dark Thirty more recently were made in consultation with the Pentagon and White House. The result of this “creative input for Pentagon assistance” bargain created an entertainment culture “rigged to produce relatively few anti-war movies and dozens of blockbusters that glorify the military” and which amounts to “government subsidized propaganda,” Sirota wrote.
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The CIA has had a hand in creating TV shows like 24, Homeland and Alias. The Americans — an FX show about two Russian spies living undercover in the US — was created by a former CIA agent, and the agency reportedly approves the scripts for each episode.
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The liaison’s “current pick” for a possible future movie project is about one Ryszard Kukliński — a Polish colonel and spy for NATO who spent years passing secret Soviet documents to the CIA. I wonder why they’d be interested in that sort of thing right now. It couldn’t be anything to do with deteriorating relations between Russia and the West, could it?
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US State Department has actively sought out the biggest players in Hollywood and tried to enlist their help with what they called “anti-Russia messaging” for the public’s consumption through innocent entertainment. In other words, the government asked Hollywood for help producing propaganda — although I’m sure the State Department would call it something nicer.
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Negative depictions of Russia in American and British news and entertainment media are hardly new — but at least as far as I can tell, there’s certainly been an uptick over the past 12-18 months, and it coincides nicely with a major US government-led anti-Russia messaging campaign which has also spilled over into much of Western print and broadcast media.
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In the Netflix political drama House of Cards, Pussy Riot — the real ones this time — got their own cameo alongside evil Putin (not the real one). But even when there isn’t a major storyline attached to Russia, somehow the country frequently gets thrown in anyway. Russia is still the go-to country when there needs to be a joke about scary or immoral foreigners. There are endless examples.
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In NBC’s Scandal, one character suggests Putin might randomly invade Belarus. In CBS’s Madam Secretary, one character spews the line: “I can’t go back to Russia, it’s a pigsty.” In the recently released movie Bad Moms, one of the bad moms, protesting something or other which I can’t recall, shouts “What is this, Russia?” The short-running show Allegiance was entirely about a Russian sleeper cell in the US which was suddenly reactivated and whose members — now fully adapted to blissful life in America — no longer wanted anything to do with Russia. How original.
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NBC’s Blacklist has given us multiple Russian baddies and the sitcom 2 Broke Girls has made its fair share of Putin jokes. The third installment of The Purge introduced us to a gang of menacing Russian “murder tourists” who take advantage of the annual 12-hour period during which any crime, including murder, becomes legal. I could go on, but you get the idea: Russians are bad.
RT