QUOTE(echobrainproject @ Jun 21 2006, 11:14 AM)
thats true, but u have to see how big the stage is. usually in churches, musicians are really close together. its easier for communication as there will be alot of free worship parts (i guess u can call it improv?). u'll also need to solve the feedback problem using a condenser live. with drums, basses, guitars, etc i am sure therell be alot of stage monitors and amps on stage
in my church, we dont use monitors...hahaha....everybody just hantam oni.
Anyway, the experiences i had with condensor mics; the only time i had feedback problems were with percussions...otherwise, there's nothing you can't solve with a compressor.
And i guess you don't have to stand at the other corner of the room. But maybe if the drums and bass are on one side, try to stand on the other side. Musician placement is also very important. Most gigs i see, all the musicians cincai stand wherever they want, some even in front of the monitors blocking the rest. Then start complaining " cant hear this cant hear that... too loud etc etc".
So back to kimmie. I suggest u mic the violin up and place yourself as far away from the drums. Also, in-ear monitoring is helpful. Of course that's a luxury that many people dont have. Maybe try splitting the musicians up into 2 groups. Electrically amplified and mic amplified. That way, you have reduced feedback problems. Or if you are the only one who needs micing up, then maybe try piezo clip on pick ups. They won't give the best sound, but it's always a compromise in church bands....somehow....
*EDIT* Somehow i'm using the word "somehow" too often....somehow....
This post has been edited by Bassix: Jun 21 2006, 06:35 PM