@blaqkthespian I agree, I watched this yesterday at Velocity IMAX and boyyyy was it an event... The stunts were heart pounding and intense and definitely earns that value for an IMAX phenomenon... Unfortunately, I got a few things to say about the film overall.
QUOTE(megakeygen_zero @ May 17 2025, 10:07 PM)
Is it better than Dead Reckoning? That one, I struggled to finish.
I rewatched the whole franchise before this film (minus 2 and 3 because i find them boring and somewhat bad) and no, imo, it's not as good as DR. Honestly, aside from the action sequences, amazing cinematography and how good looking the film can be, the movie falters hard when it comes to story, character development, pacing, awkward editing, unwarranted retcons and just an self-indulging ego trip for Tom to show how he's the saviour of old-school, blockbuster cinema to the detriment of other key aspects of the film.
Look, most of the MI films glaze Ethan (and in a way, Tom) and portrays him to be this more than a human type of character. While yes, Tom has done a lot amazing things and I'm grateful for his contribution to cinema, but it does get cringe-worthy and eye rolling. It makes Ethan unrelatable as a character and, while he's supposed to be a humble and selfless hero, the glaze and his presentation ironically showcase the opposite tone, making it cringe to go through. This film especially goes out of its way to glaze him, and his character suffers drastically. He's too serious, too selfless and too absorbed with himself being the only one (and his team, but let's be real, he's begging his team to trust him and his way) to stop the evils at hand without major negative consequences.
Ethan's character also overshadows a lot of the remaining cast's potential. Grace's character imo got neutered quite a bit compared to her presentation in DR, reducing her to another (although still nervous) yes-man instead of the unwilling and inexperienced passenger who has to grow along with the pains and emotional stress from the job. Degas while set as a conflicted character from the first film and now just become another yes-man. Paris too though she was somewhat a one-note from DR. Hell, Briggs got a very out of place backstortly and retcon to serve as another personal attachment to Ethan all to point that all the MI films have significance to the plot of this film.
Hell, the villains. I personally liked the idea of a rogue, sentient AI being the ultimate enemy. Imagine how fast it can mess the a digital world up in a matter of seconds through fast calculations and data study (basically like Ultron and Skynet), but now is sidelines to be a tool for others to serve cause, and all attention is given to Gabriel, a poor villain in the first place and retcon in to again, serve as a personal attachment to Ethan's backstory from DR. Even then, his motivation is shallow as hell.
The dialogue also suffers, like everything is taken so seriously and made overly complex for something honestly simple: "world is screwed, Ethan only one who can save it but no trust him but alternative is ahhhh." This also btw hurts pacing because it's just back and forth on how everything is on Ethan's hands and just very little depth in conversations. Oh, the amount of flashback edits too makes certain scenes awkward and often are recontextualization of their meaning to serve as another attachment to this film when it isn't necessary or even logical.
I say all of this because I really like the franchise, and honestly, some of the flashbacks and editing choices were a nice homage and appreciative nods fo the previous films. The nostalgia was a nice gesture, but it's overdone and overcomplicated for a plot that is made very basic despite having the potential to be extremely dire and smart. The previous films were serious but never this over-the-top serious. They had leeway to be awesome popcorn action flicks reminiscent of old-school spy action films like James Bond. They had believable, fun, intriguing plots about espionage and good build up for amazing set-pieces. Here, it just lacks that charm. While yes, the situation of this film is very dire, it just goes about it uncreatively and it's sad to see the series potentially ending like this
To me, it's the most disappointing MI film from Ghost Protocol onwards as GP and subsequent sequels imo got better and better through each installments, culminating in Fallout being imo not only the best in the franchise, but one of the best action films of all time that also balances the other key aspects of what "should" make good films. DR was fantastic but coming from Fallout, it didn't hit as hard and is actually more comparable to Rogue Nation but slightly better.
I still recommend people to watch this in the best hall you can find, ideally IMAX Laser and 12-channel audio as despite my complaints, the action and sound design here warrants that experience in an IMAX hall. Hollywood and possibly the film industry will likely not make this type of practical action-stunt film again so it's good to cherish what this film has accomplished which is top tier action and stuntwork in bonkers scenario. However, as an overall film, it's a let down for me.
I'll probably be in the minority but man... Well, JeremyJahns also feel the same way hahaha so I feel somewhat validated (watched his review after I gathered my thoughts about this film and was surprised).
This post has been edited by Katharsis: May 18 2025, 09:32 AM