QUOTE(signither @ Jan 26 2010, 11:26 AM)
the rubber on the hand grip of my a100 is quite loose dy.. how much to change it in sony service centre ya?? any idea?
I bring in to check for service for that b4... they wan to charge me rm 200++ wtf.. i would have wish they charge for me free... Sony should b more generous to their loyal customer... My old canon powershot A80, canon change the lcd for me free.. and even replace my friend's older powershot to a newer model completely free even the warranty has pass 2 years!
QUOTE(albnok @ Jan 26 2010, 12:18 PM)
Yes the Zeiss Ikon is a film rangefinder.
Yes, you can 'push' film by processing it longer e.g. 8 minutes instead of 4 minutes. This was common practice with some black-and-white films which have no fixed ASA value but work approximately best at ASA400. Black-and-white films have the most flexibility; color negatives in between; color positive slide film has the lowest flexibility and latitude.

Minolta 50mm F1.4 on Minolta Dynax 7 with Lucky ASA100

Minolta 58mm F1.2 MD (modified mount) on Minolta Dynax 7 with Kodak BW 400 CN

Vivitar 24mm F2.0 on Olympus OM-2000 with Kodak Gold ASA 400 (one of my favorite shots, with film you won't use burst mode)
Instead of noise it has grain and it usually looks alright.
Oh, and the Contax N Digital does look quite like the Konica Minolta 7 Digital:

Here's the Nikon F4:

And the Contax N Digital again:

signither: No idea but when it was under warranty it was free. Let us know!
ReaperOfSoul: Your masking isn't done well. Use a gradient instead. Also, do multiple exposures instead of one RAW - that will increase tonality.
I loOOvvee the look of these classic camera... lots of physical buttons, iso dial yada yada hahaha! guess im just a bit antitouchscreen and old-styled. love driving manual car too.. Yes, you can 'push' film by processing it longer e.g. 8 minutes instead of 4 minutes. This was common practice with some black-and-white films which have no fixed ASA value but work approximately best at ASA400. Black-and-white films have the most flexibility; color negatives in between; color positive slide film has the lowest flexibility and latitude.

Minolta 50mm F1.4 on Minolta Dynax 7 with Lucky ASA100

Minolta 58mm F1.2 MD (modified mount) on Minolta Dynax 7 with Kodak BW 400 CN

Vivitar 24mm F2.0 on Olympus OM-2000 with Kodak Gold ASA 400 (one of my favorite shots, with film you won't use burst mode)
Instead of noise it has grain and it usually looks alright.
Oh, and the Contax N Digital does look quite like the Konica Minolta 7 Digital:

Here's the Nikon F4:

And the Contax N Digital again:

signither: No idea but when it was under warranty it was free. Let us know!
ReaperOfSoul: Your masking isn't done well. Use a gradient instead. Also, do multiple exposures instead of one RAW - that will increase tonality.
Want to ask for advice... Im thinking to sell my A100 + kit lens again.. but not sure how much can I let go...Do you think people will still aiming for the Alpha ancestor? Reason to sell because im planning to get F58...
Want to try more studio shooting... Currently having a F42... so need an extra flash to play around. actually f42 serves me quite well.. (except the recharge time kinda slower) ... Do you guys think is worth for me getting F58 ? what other benefit will i gain from F58 compare to F42.. other than the Speed/power & the Cobra head tilt..
Jan 26 2010, 12:48 PM

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