New Infinite Undiscovery Details Revealed

New information regarding Square Enix's Xbox 360 title Infinite Undiscovery has surfaced in Japan. In the world of this tri-Ace-developed title, the people rely heavily on the power of the moon. In fact, they have managed to transform the moon's power into their own power. The use of magic is no exception to this rule. All inhabitants of Infinite Undiscovery's world carry so-called Moon Marks. These marks are endowed upon people as a blessing at the time of their birth. Thanks to those birthmarks, people have been able to develop a variety of abilities. Depending on the waxing and waning of the moon during the time of one's birth, the powers residing within people do differ, though.

As previously reported, the game's protagonist is named Kapel. He is a very nice guy. If there are people in need, he will help them, despite saying "it's impossible". The game's heroine, Aya on the other hand is a straight shooter, who refers to Kapel as Bakapel ("baka" meaning idiot in Japanese). Siegmund is a hero, willing to do whatever it takes, to accomplish his aims, even if it means getting hurt in the process.

Furthermore, it has been confirmed that a party will consist of up to four active party members.

Infinite Undiscovery has yet to receive an official release date in Japan.

Infinite Undiscovery Xbox 360
Release date: Summer 2008
Live/Multiplayer: DLC only

- nothing new regarding the story

- battle system is real time and seamless, two types of attacks light and heavy. you can also juggle the enemies. can team up with party members for attacks (maybe this is what the 'Connect' thing that appears on the char's portraits is?)

- enemies react to your presence either by vision, sound or smell. they explained the smell bit, enemies like dogs can spot you by smell but they can be distracted by throwing some food at them.

- varied scenarios. they talked about the dragon attacking a village you are in, while a party member receives some treatment (this was in the old TGS trailer). you can use stealth for nighttime scenarios or you can force your way through, they leave that to the player.

- some of these Situational Battles have multiple solutions, like the nighttime scenario I just mentioned.

- the decisions you make, will directly affect your adventure. one example they gave was the ogre when escaping from a prison, you can use these exploding barrels to destroy enemies barricades but that will wake up and ogre and it'll start chasing you.

Infinite Undiscovery
- IU is totally seamless.
- checking the menu doesn't pause the game, think PSO or MH.
- Situations that are solved quickly offer bonus rewards like full party healing and so on.
- there's a day/night cycle, 10 minutes for a cycle.
- you control the Main Character only, Capel. you can control the AI by using stances instead of commands. not sure how this works.
- the AI seems to play a big role, since the whole game is real time. (lets hope the AI is GOOD)
- a lot of characters in the game
- the characters story will not be presented like VP1, instead they develop while traveling with the party. like in any rpg.

is this 360 exclusive game or ps3 also have this game??

im looking 360 game which has the kingdom heart gameplay

Infinite Undiscovery has been getting a lot of attention lately, and it doesn't look like it's going to stop anytime soon. Famitsu has released seven new direct-feed screenshots of the game in their website, which were used in the last Famitsu issue three days ago.

What's really interesting, though, is that the English website of Infinite Undiscovery has launched as well. The website features the old trailer of the game, but with English voices. It would seem Square Enix is not wasting any time and the game might be released in North America not too long after it is in Japan.

Long preview from OXM

Infinite Possibilities



All good things come to those who wait — the mantra of many an RPG fan who’s owned both Xbox and Xbox 360. And thankfully, the past holiday season treated us kindly with the arrival of both Mass Effect and Lost Odyssey. Mistwalker’s labor of Unreal Engine 3–powered love was a special boon for those of us raised on the age-old console-RPG philosophy of pretty-boy polygons, healing herbs, and turn-based battling.

But just as we’re shaking off the hazy dreams of Kaim and Co.’s journey through immortality, Square Enix, the granddaddy of console roleplaying, goes ahead and unveils the nuts and bolts of its new, tri-Ace–developed magnum opus on Xbox 360. Say hello to Infinite Undiscovery and our exclusive reveal!



Identity Cleft

The world within Infinite Undiscovery has an obsession with the moon. But currently it’s unrequited. Some mean men have gone and formed the Order of Chains under the command of the king bad, who calls himself Dreadknight. What did the Order of Chains do? They done chained up the moon, turning the entire planet’s landscape into nothing but a bleak wasteland. And along the way, they’ve captured you — or more correctly, some young guy named Capel, whom the Order has nicknamed “The Liberator” for reasons currently unknown.

But if you stayed imprisoned forever, there’d be no game — thus arrives the lovely, bow-and-arrow­–equipped Aya to spring you from your shackles and whisk you off to safety under the protection of rebel warriors. But the real catch? The warrior leader — a noble knight named Sigmund — looks exactly like you. He’s the real “Liberator.” So who are you? Are you just a doppelganger, or does something truly heroic lie within you, too? That’s the real thematic crux of tri-Ace’s brave new journey onto Xbox 360 — a mad mix of fantasy storytelling, clever new gameplay mash-ups, and…smells? Huh?

Random Acts

A beloved innovator, tri-Ace  is known for refusing to settle for turn-based battles. With Infinite Undiscovery, the developer seeks to push the JRPG combat system even more out of its comfort zone by incorporating the studio’s take on real-time fights. You can encounter enemies at any time in the field — even when you think you’re safely checking your inventory in the menu.

And when you do, the scene doesn’t shift to a separate, enclosed environment (à la Lost Odyssey or the Final Fantasy series) — instead, the whole thing happens seamlessly. You’ll instantly begin the fight with up to three other characters, where you can chain together different attacks, both light and heavy, or opt to execute moves that launch foes into the air so you can slam them down to the ground. Your attacks can be paired with those of your fellow party members, too. But the main thing to note is that you’re able to control only one party member at a time during a struggle, and tri-Ace isn’t ready to ante up details on exactly how or if you’ll be able to hot-swap between allies in the heat of battle.

Night Moves

Though fighting is a major part of Infinite’s gameplay, it’s really only one pie slice of your adventure. One feature that has our interest incredibly piqued is the concept of detection while you’re exploring the world. Think of it as tri-Ace placing a dose of light stealth chocolate in your traditional RPG peanut butter, and you’ll have an idea of what detection is all about.

Environments throughout the game possess different conditions. If you’re tiptoeing through a particularly bright mid-day sunkissed landscape, sneaking isn’t very practical. You can see enemies a mile away and vice versa. The real tactics come into play during nighttime scenarios.

With darkness as a blanket, nemeses will have a harder time seeing you, and an overhead mini-map in the upper corner of the screen indicates just how far their vision stretches.

But creeping through the night has its drawbacks. For one, your vision ain’t that great either; you must use caution when traveling, and you won’t be able to lock onto targets from a distance with long-range weapon-wielding characters like Aya. Also, sight isn’t the only means by which your enemies can detect you. You’ll have to worry about sound and that aforementioned sense of smell as well.



The Smells of Silence

So, how does the game use sound and smell? tri-Ace game director Hiroshi Ogawa explains: “As an example, when you’re running away from a hunting dog, you can distract him by dropping apples from the trees. However, the guards may catch you when they hear the thud of the apples. Doesn’t that sound exciting?” Erm, sounds kinda stressful, really — but it also sounds supremely cool.

Ogawa tells us that when you’re in a dark area, the overhead mini-map ceases showing the radar to indicate vision and instead relies on this sense of sound. So when you drop an apple to tempt those canine noses, you can also check to see how far the sound of falling fruit reaches on your radar. You’ll also be able to use this sound meter to more reliably sneak up on enemies from behind — your footsteps can be heard, so tread lightly, Capel!

"Infinite is not a serious stealth game like Metal Gear Solid, but [you] still need to tactfully sneak-attack and make an escape,” advises Ogawa.



Circumstantial Evidence

And just when you think you know everything about the game’s combat, tri-Ace strikes back with something they’ve dubbed “situational battles.” Think of these select gameplay segments as quasi–free-roaming adventure-style scenarios.

The team gave us a few different examples, including one that was briefly shown at last year’s Tokyo Game Show, showcasing your party’s flight from an enemy-infested encampment of sorts. As you try to flee, you’ll have to fend off enemy soldiers and break down barricades — but tri-Ace points out that this can be too time-consuming. One option you’ll have is to target and detonate explosive barrels with Aya’s bow to hasten your escape. But guess what? Now you’ve got a giant ogre on your trail. You can choose to stay and fight him, but that’s a losing option. Your best bet? As you’re running down a nearby staircase, push him off with a well-timed strike, allowing you to escape and score a “Situation Bonus” reward for surviving.



In another scenario, a dragon will attack a village while you’re there seeking a cure for an ill Aya. So, not only is a giant dragon hanging around, but your hands are full carrying your comrade. What can you do? Duck and cover! Use stone structures to save your bacon — but with environmental destruction afoot, you can’t cower behind a disintegrating pillar for long. To juke the reaper, you’ve gotta play it smart and direct the dragon’s fiery projectiles toward pursuing enemies and other obstacles blocking your escape.

When we asked whether the situational battles have more than one way out, Ogawa replied, “Some, though not all, have multiple options for resolution.” Intriguing to say the least, and we’re told that your actions will directly affect certain aspects of your overall adventure.

Discovery Imminent

So many features, yet so many months between us and the U.S. release of Infinite Undiscovery. With every new piece of information and screenshot that trickles out, we find ourselves more and more entranced by the possibilities. Yet beyond Infinite’s imminent arrival, tri-Ace’s project signals an important sea change in Japan’s attitude toward Xbox 360 development that we hope continues. But honorable intentions aside — really, we just want to play the game. Is it here yet?



http://oxmonline.com/article/features/infinite-possibilities

During our time spent on the exclusive preview of tri-Ace's spectacular-looking upcoming RPG, Infinite Undiscovery, we had a chance to chat with the game's (and studio) director, Hiroshi Ogawa. He's got some big ideas and a distinct philosophy behind this studio's approach to making RPGs. Plus, he's just a super nice guy. Read on...

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Us: In your own words, what’s the story of Infinite Undiscovery?

Ogawa: The tangle of emotions that surface in war… The countless forms of “justice” on proud display… Infinite Undiscovery is a tale that records the growth of a hero, who, burdened with a battle-filled journey, is faced with the harsh reality that a difference in rank denotes a difference in opinion. He must ultimately make a decision on what it is that must be accomplished.



Us: What is it about the story that you felt needed to be told in videogame-form?

Ogawa: This is somewhat of a cliché, but I feel that an “engaging narrative” is one of the key elements of an RPG. Players are placed in the protagonist’s shoes and can experience the story first-hand – this is what sets games apart from movies or novels – games can express the pieces of a story that lie outside of the main plot. What is left “between the lines” in novels is made explicit in RPGs to fulfill a player’s experience. This is the main reason why Infinite Undiscovery is being told in videogame-form.

Us: Which of the characters do you like the most and why?

Ogawa: I feel guilty for admitting this, but my favorite is neither Capel nor Aya. Although yet to be revealed, I would have to say that my favorite is a certain young character of high social standing. This character wields a weapon that Japanese audiences are very familiar with, and I am personally very fond of the unconditional stubbornness with which the character stands by his/her morals.

Us: How does the team come up with characters in any of tri-Ace’s various RPGs?

Ogawa: Generally the team starts with a backbone and works to flesh it out. Story and game-related aspects are the bulk of what goes into creating the foundation, but in the end we always end up fine-tuning a character according to our personal preferences.

Us: tri-Ace RPGs are known for incorporating unique combat engines – is Infinite Undiscovery following the same pattern? What is the most important aspect of combat that you expect RPG fans to really get excited over? Can you tell us how the team came up with the idea behind the combat system?

Ogawa: The pursuit of a real-time battle experience is definitely a core aspect.  We based development on ideas that surfaced through past projects, and have placed greater emphasis on enemy-ally relations (taking into consideration the number of enemies, their strength or an ally’s situation). I think that RPG fans enjoy the element of balance-control, wherein they can affect a character’s relationship to its enemies through leveling or by customizing equipment.  Players are able to alter the level balance according to their personal play style (and this in turn generates replay value), which is definitely an aspect of RPGs that differentiates it from action-based games.

In devising the battle system, while there have been various methodologies implemented for different titles, we always create a “focal point” of what we want the players to experience. For our past titles, we have always been consciously creating games in which simple commands enable exhilarating gameplay, on top of which players can enjoy the strategic progression inherent to video games.



Us: This is the first RPG that tri-Ace has made for any of the new systems – what do you think has changed from the last generation of system to this new one in terms of gaming, gamers and how RPGs are perceived?

Ogawa: RPGs are often seen as very complicated games that take an extended amount of time to complete. The time that people spend playing games has shifted over the years, and I feel that moving forward it will be increasingly difficult for players to embrace complicated gaming elements. However, I also feel that “depth” is something that cannot be removed from an RPG. With this in mind, one possible direction that RPGs can head toward in the future would be a form in which “simplicity” or “clarity” and “depth” coexist.

Us: So, what do you think is next for console role-playing games? Like, have you had a chance to check out either Oblivion or Mass Effect? What do you think of the different directions both games took from the more classic style of Japanese-developed RPGs?

Ogawa: This is a tough question. These days, fitting games into a specific genre is not a simple task, and RPGs are no exception. However, as mentioned already, I strongly believe that “depth” is a necessary element of the RPG genre. Call it “depth” or a “sense of scope,” but I am sure this is an element that will always be reflected in both the system and scenario of RPGs.

Oblivion and Mass Effect are both very intriguing titles. As a game and product, I think that it is a successful materialization of its underlying concept, and the content is highly concentrated – not in the sense of volume, but direction-wise – making for a very complete and polished finish.

In terms of direction, I don’t feel that there is that great of a gap between these titles and traditional Japanese RPGs – not to say that there are no differences at all. A difference in taste is definitely reflected in aspects such as gameplay-to-cut scene ratio, the playable points and the art style, but I think that those things all pertain to a title’s flavor and are not necessarily dependent on the country or genre within which it is developed. The main difference I see is how focused these games are in terms of development, highly concentrated towards a specific target. I think we have a tendency to get greedy when creating RPGs, and end up taking on more than we bargained for. (laughs)

Us: Infinite Undiscovery aside – what tri-Ace game is your favorite? What RPGs, outside of tri-Ace’s, did you really like?

Ogawa: Star Ocean 4 [tri-Ace’s upcoming RPG] is my number one recommendation (laughs).

All jokes aside, it’s hard for me to draw on a specific example from our own company, but if I had to choose it would be Valkyrie Profile. In many ways I think we took on a lot of experimental endeavors with this title. There were some rough edges to the final product, but it is definitely one of the most memorable.

Outside of tri-Ace – this one is quite dated – but I’d have to say Xanadu, by Nihon Falcom. It was highly strategic, and had a certain atmosphere about it.

Us: Do you believe that emotion is the most important element in any RPG? What is the one driving emotion that you hope gamers come away from playing Infinite Undiscovery with?

Ogawa: In a broad sense, I think that “emotion” is definitely the most important element. In regards to Infinite Undiscovery, at the risk of sounding unoriginal, we are hoping that users find it “fun” above all else.

Us: Thank you so much for your time!
Ogawa: お時間ありがとうございました

Square Enix Dates Infinite Undiscovery, Dragon Quest Handhelds
05.21.08 - 3:03 PM

Square Enix is looking at giving American gamers a great selection of games this summer and fall, announcing the release dates of Dragon Quest IV: Chapters of the Chosen for the Nintendo DS and Infinite Undiscovery for the Xbox 360. Additionally, they have announced that Dragon Quest V: Hand of the Heavenly Bride and Dragon Quest VI: Realms of Reverie will be seeing US release for the Nintendo DS, as well.

Infinite Undiscovery, tri-Ace's first Xbox 360-exclusive title will be hitting American shores on September 2, 2008. In Infinite Undiscovery, players will be given a myriad of decisions that will affect the world around them and even the game's real-time combat. As well, players will be able to create their party from a pool of 18 members, and the most obvious collection of members will rarely be the correct one in the game's dynamic battle system.

"With the simultaneous release of Infinite Undiscovery, Square Enix is entering an exciting new period of delivering great gaming experiences to our fans all around the world at the same time, creating new global communities," said John Yamamoto, president and chief executive officer of Square Enix, Inc. and Square Enix, Ltd. "This is something that we have aimed to do for a long time and we look to continue to deliver worldwide gaming experiences across all platforms well into the future."

The other announced release date that Square Enix provided was for Dragon Quest IV: Chapters of the Chosen for the DS, which will see release two weeks later on September 16, 2008. Embarking on an adventure with those from many walks of life, all who will unite with the hero to save the world.

The two other entries in the "Zenithia Trilogy" of Dragon Quest games, Dragon Quest V: Hand of the Heavenly Bride and Dragon Quest VI: Realms of Reverie, have never been released in the United States, but will see release soon on the Nintendo DS. Keep your eyes peeled and keep watch at RPGFan for more information on all four of these titles.

http://www.famitsu.com/game/coming/1217192_1407.html

Famitsu Reports: Infinite Undiscovery borrows Star Ocean's Private Events



from VGCHARTZ

Below is a garbled excerpt from a babel-fish like translation of the page that talks about the new "private Event" segments in Infinite Undiscovery.  Private events in the Star Ocean series allowed you, under certain circumstances, to speak with other characters and learn more about their back story.  In other instances it was used to show what characters that had left the party were up to.



What the page seems to show are some examples of this in use, primarily a list of characters, and what they do while they are away from the party and what they do when they are speaking only with the main character privately. 

Sorry the the garbled language, but it was the best I could do with an entirely Japanese website.

"Towns and villages and into the party character is temporarily away from the party, each in his own actions here and there to make.  They found that the conversation can occur in a "private event (PE)".  The important thing is for this event and to see friends and Kapell, set between the "emotional value" changes. The emotional value of the Battle of peer influence the actions of important factors. ."

Sounds exactly like what is in Star Ocean or even the "Tales of..." series to me, this could really help establish the characters if done well.  what I gather that this is saying, is that these events lead to emotional changes between characters and helps their relationships, if you do enough, you could have things happen to influence battles or major story points.

Gametrailers Review:

http://www.gametrailers.com/player/38434.html?rdir=1&

Ogre battling gameplay:

http://www.gametrailers.com/player/38370.html

Infinite Undiscovery Xplay Review

4 out of 5

they like it!

video:

http://www.g4tv.com/xplay/videos/28539/Inf...ery_Review.html

Pros
* Engaging adventure
* The characters and plot get more appealing the farther in you go
* Excellent team-based gameplay and solid real-time action

Cons
* Starts poorly
* Annoying main character
* Not enough mobility
* Graphics are too old school with boring landscapes that are often hard to navigate
* Ridiculous name


The Xbox 360 is rapidly becoming the place for RPGs, thanks to hefty offerings from big league Japanese developers like Namco and Square Enix. The latest from the Square camp is the absurdly named Infinite Undiscovery, and much like Namco's latest, Tales of Vesperia, it adds a hefty helping of new stylings to its aging JRPG template. The result is a game definitely worth playing, provided you stick with it long enough.

Ah-Capell-Ah

Ostensibly a story about a case of mistaken identity, the game starts off in a prison where a young musician named Capell is being held for unknown reasons. Rescued by a beautiful and plucky archer named Aya, our young hero soon finds himself engulfed in the world-saving quest of the liberator Sigmund... who Capell happens to be the spitting image of. Capell, however, has no interests in saving the world, fighting, or, especially, getting hurt. Of course, as the game progresses he finds his inner hero—b****ing and moaning the whole way.

That Capell is oftentimes a remarkably annoying character is one of the big problems with the plot. Another key element sure to bring smirks to non-hardcore JRPG folks is the nature of the quest. It seems that some big bad evil dude is spreading a blight of monsters across the land in his quest to chain the moon. We're not making that up. Capell follows Sigmund's not-so-merry band all over the land to break gigantic chains connected to the moon. Really?

Problems at the Starting Gate

The biggest hurdle to enjoying Infinite Undiscovery is the first three or four hours, which are actually quite terrible. You'll have to work to get the meat of the game. Thankfully, once past a lame prison escape through dark, hard to navigate woods (complete with middling stealth elements), several other hard to navigate maps, a poorly done siege sequence, and two crazily annoying children who get thrust on you, Infinite Undiscovery begins to level out.

Characters still develop a bit too slowly through the game's roughly 25 hours, especially Capell, but the story and characters end up becoming much more involving. Even the annoying children start to become almost endearing after a while, and you'll also get a creepy, dead-eyed bear in your party.

Real-Time Adventuring

There are several key facets of the gameplay that make Infinite Undiscovery stand apart from traditional JRPGs. Much like Tales of Vesperia, combat is a real time, button mashing affair, where you only control the central character and the rest of the team is AI controlled. Unlike Tales, there are no segues to a combat arena. You run around the landscape with all monsters in full sight and simply start hacking at them.

If you attack an enemy before they see you, you'll get bonuses—and conversely, if they get to you first, you'll be at a stats disadvantage. You can configure your team’s actions to suit the situation—free attack, combo, focus on your target, conserve magic points, and so on. It’s not a terribly in-depth system, but the AI is usually smart enough to provide solid back-up, and a nice feature is the ability to request medical help for both yourself and hurt team mates with the press of a button.

The overall gameplay is fairly simplistic however. In fact, the general design makes Infinite Undiscovery feel like a cross between a standard Final Fantasy game and Dynasty Warriors. Oddly, the game doesn't pause when you access the gameplay menu to use items or change up skills. This is especially annoying during boss fights when you need to revive fallen teammates.

Teaming with Issues

The team-based focus is impressive though. While having a party limited to up to four is standard, it always leaves so many other characters in the background. Here, there are sequences where you can create two other AI-controlled parties that will complete other objectives or aid in combat. The problem is that the game uses this feature far too sparingly.

There are problems with the visuals as well. The game still looks like a PS2 game in higher res. Textures and lighting just seem primitive in comparison to other 360 titles, and even character models look like old school 3D. The audio is quite good, however. The soundtrack is standard dramatic fare, but works well, and the voice acting is generally well done, even if the dialogue is often laughable and the lip syncing is outright broken.

Discover the Undiscovered

For all the flaws in Infinite Undiscovery, once the game gets going it grows on you and keeps you playing. The story gets much better after the first several hours, and the quickly-paced action is a fun change of pace from standard JRPGs. The RPG elements, especially item creation and character development, are as deep as fans of the genre have come to expect and the team-play elements are excellent. Despite the numerous short-comings and ridiculous name, Infinite Undiscovery ends up being well worth playing.

Review by: Jason D'Aprile

Not bad man!

wait for djinn.......boss mana stock tu?

Sudah sampai boss..

well, at least is a ARPG looks not bad

Thks  boss!good!!  

one more question,got any special bonus bundled with it?like tov english ver?

don't have just the game only.

don't have just the game only.