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Pix
In this topic, anyone can decide to make a explanatory topic on a particular kind of electric guitar model. I'll try to summary them in this thread. The point here is to provide a quick overview of the different kinds of guitars available in the market, knowing that there are probably less than 10 "families" of electric guitars (Strat, Tele, LP, SG, RG, ...)

Ibanez
RGT / RGA / RG (introduction by Headhunter7)
RG (details by Evo.Com)
GAX30 (by Metalhead)
RG (details by Ssslayerrr)
*new* JS1000 (by Pix)

Fender
Telecaster (by Led_Zep_Freak)
Stratocaster (by Led_Zep_Freak)

Gibson
Les Paul - Std vs. Custom vs. Junior (by Blacktrix)

Various acoustic guitars (in-depth ! by TheWacker)

"Metal oriented" guitars
BC Rich Warlock (overview by MetalHead)
______________________________________________________________

Model : Les Paul
Brand : Gibson
Nickname : LP
Author : Blacktrix

Typically, a Les Paul is a solidbody electric guitar, which means that the wood inside is not hollow and is normally very heavy, thus giving it a "fatter" sound, which is very much sought after by blues and recently, Heavy Metal artists.

user posted image

Pictured here is a Gibson Les Paul standard. A Les Paul's characteristics is that it has a single cutaway (The part where it got cut-off) body. THere are on occasion a double cut-away Les Paul, but the most familiar Les Paul is the Single Cut away.

The Les Paul usually comes with 2 Humbucker pick-ups, although they can be changed. Note that it also doesn't have a Whammy Bar at the bottom, but rather a tune-o-matic bridge, which is the silver bar, second to the botto. The last bar is appropriately called a Stopbar tailpiece.

Other characteristics that defines the Gibson Les Paul is the pick-up selector switch located on the upper-left side of the body, and the 4 knobs at the bottom right, which are 2 for tone, and 2 for volume.

______________________________________________________________
headhunter7
Model : RGT / RGA / RG
Brand : Ibanez
Nickname : TEH FJOOKING SHREDDING MACHINE
Style : Any that you can think of.
^ well Ibanez RGs have 3 models

this one is the RGT
user posted image
This RG has the neck through, for people who doesn't want to have their hand blocked while solo-ing..

this one is the RG
user posted image
This has the normal bolt on, only with AANJ (stands for All Access Neck Joint) , which hardly gets in the way while solo-ing.

This one is the RGA
user posted image
This is the RGA , without the Edge tremolo.

From all of the above, i'd personally choose the RGT , but an RGA would be nice too..for my downtuned songs laugh.gif
led_zep_freak
QUOTE(XCcude @ Jun 23 2005, 05:58 PM)
guitar is a guitar.. bible is a bible.. dont mix it.. dude... u mean guitar dictionary
*


It's just a metaphorlar, I don't find anything wrong with it.

If that's the case, are you saying we shouldn't mix guitar with God too???

laugh.gif
led_zep_freak
______________________________________________________________

Model : Telecaster
Brand : Fender
Nickname : Tele
Genre : Country, Blues, Rock. (Very popular for experimenting lately, tho!)

user posted image
Telecaster, then-named Broadcaster was Fender's first solid body electric guitar. Teles are famous for its bright sound due to the nature of their singlecoil pickups, especially the bridge which cuts your ears with its high treble frequency. The neck pickup, though, on the other spectrum of the world - sounds warm while the middle position provides a great out-of-phase sound.

On the downside, the contour of Tele (still is) wasn't designed properly & the body is basically a chunk of wood, thus sinking into your ribs when playing, making it barely a choice for beginners. Though, if much is spend on it, one would be rewarded as much as Teles are the sweetest guitars in the world. thumbup.gif

Famous Users : Keith Richards (Rolling Stones), Jeff Buckley, Radiohead (Both guitarists), Bruce Springsteen, John 5, Andy Summers (The Police).

Soundclips :
Neck Position : Led Zeppelin's Communication Breakdown
Middle Position : Solo of Led Zeppelin's Stairway To Heaven'
Bridge Position : Any Rolling Stones riff!

Others : Jeff Buckley's Hallelujah, Rolling Stones' Satisfaction, John 5's Sugarfoot Rag, the Police's Message In A Bottle & Radiohead's Creep (Tho Johnny Greenwood made some modifications to his Tele).
______________________________________________________________

Had nbtd lol.

laugh.gif
metalhead
QUOTE(led_zep_freak @ Jun 23 2005, 06:05 PM)
It's just a metaphorlar, I don't find anything wrong with it.

If that's the case, are you saying we shouldn't mix guitar with God too???

laugh.gif
*



u mean me???? T3H Guitar GOD flex.gif .....wannabe..... biggrin.gif ...come on la fella, dun be so upset over some metaphor....chill out dude....

EDIT too late...zeppy took my review cry.gif

i reserve this post for: -

Fender Tele My Own Axe [Ibanex GAX30] ...who knows it better than i do? tongue.gif .....

user posted image

Model : GAX 30
Brand : Ibanez
Nickname: Horned Evil [tongue.gif just came to my mind]
Genre: Hard Rock, Metal and some say Blues ....

Specification:
Neck: Maple
Body: Basswood
Bridge: Fixed Bridge
PU Config: Humbucker - Humbucker
Control: 1 Volume , 1 Tone
Selector: 3 way [Neck, Both and Bridge]

GAX30 is suitable for classic, chunky hard rock tunes, you can't go wrong with the dual humbucker. With it's double cutaway, crystal cut basswood body, and lightweight body, the GAX is the perfect guitar on stage. [As taken from Ibanez catalog]

I would say it's a good choice for beginner who want something affordable and yet able to perform as expected. It's light and the neck is comfortable to grip, it's more rounded than RG neck. The configuration is simple and straight to the point, no need for adjusting the Floyd Rose (coz the lack of one) and changing string is just a matter of minutes as opposed to other Ibanez (RG and those with Floyd Rose). It's so simple that even if u srewed it up, u'll still be able to make it good again (just like i did tongue.gif).

The disadvantage is the PU is not powerful enuf.

Famous user:
metalhead (as in me, he who posted here tongue.gif)
John5 (i swear that Johny boy have one just like this when he was in Manson, he endorsed this model and have (still posses one in his collection) a signature GAX under his name...this is truly a fact, no joke)
led_zep_freak
nbtd again... tongue.gif Rough description of the strat (I wouldn't know how 60s & 50s strats differ!).
______________________________________________________________

Model : Stratocaster
Brand : Fender
Nickname : Strat
Genre : Blues, Rock & basically everything else too (Strats are very versatile!).

user posted image

Possibly the world's most famous electric guitar, Strat were introduced by Fender after the introduction of Gibson's Les Pauls. Strats were spotted with a modern look - double cutaway, perfectly contoured body, a lovely 3 singlecoil-pickup configuration, a volume knob & 2 tone knobs. Not to forget the then-revolutionary bridge & whammy bar!

Strats are famous for its versatility & twangy singlecoil sounds. Because of the latter, strats were a popular instrment for modern blues guitarists. The former, tho give you an idea that strats could also be seen in metal gigs. The position of the volume knob means that violining effects could be achived easily compared to LPs and Telecasters. Plus, its design prooved to be popular among guitarists as it was widely copied by other manufactures.

The neck position gives a very warm bluesy sound (Suitable for blues soloing) while the bridge is bright sounding (Great for riffing!). The middle position is everything in between. Position 2 & 4 give the famous Strat out-of-phase sound, which is the highlight of the strat IMHO! If those weren't enough, the 2 tone pots should be on one's disposal for tone shaping.

Verdict, a very, very versatile guitar & great for beginners. Hey, millions of guitarists can't be wrong!

Famous Users : Jimi Hendrix, David Gilmour (Pink Floyd), Eric Clapton, Jeff Beck, Yngwie Malmsteen, Stevie Ray Vaughan, Hank Marvin (The Shadows), John Mayer, Tom Delonge (Blink 182), John Fruciante (RHCP), those 2 blokes from Iron Maiden.

Soundclips :
Pink Floyd's Comfortably Numb, Jimi Hendrix's Little Wing, Stevie Ray Vaughan's Pride And Joy, Eric Clapton's Wonderful Tonight, Jeff Beck's Nadia & Yngwie Malmsteen's Far Beyond The Sun.
______________________________________________________________
evo.com
QUOTE(headhunter7 @ Jun 23 2005, 06:04 PM)
Model : RGT / RGA / RG
Brand : Ibanez
Nickname : TEH FJOOKING SHREDDING MACHINE
Style : Any that you can think of.
^ well Ibanez RGs have 3 models

this one is the RGT
user posted image
This RG has the neck through, for people who doesn't want to have their hand blocked while solo-ing..

this one is the RG
user posted image
This has the normal bolt on, only with AANJ (stands for All Access Neck Joint) , which hardly gets in the way while solo-ing.

This one is the RGA
user posted image
This is the RGA , without the Edge tremolo.

From all of the above, i'd personally choose the RGT , but an RGA would be nice too..for my downtuned songs laugh.gif
*


i know RGs wouldve suck without their necks but hey... they're not that bad tongue.gif

Generally older RG guitars are either fitted with the Edge, TRS or the Edge pro 2. Newer ones would be the Edge pro and the Edge pro 3(2005). The Edge and the Edge pro are considered tobe the better ones among those listed, mainly because its well constructed and it doesnt break that easily (vai anyone?)
These are highly reliable and most ppl even think that they're on par or even better than the original floyds ( well its pretty biased considering the fact that that group of "ppl" are all RG users)

Most of them are made of Basswood, which is quite light if compared to Mahogony.

Sound: Most ppl think that RGs are "metal" guitars, well personally i think thats just full of crap, the tone does not come from the wood of the guitar yo. Its like saying that strats can only be used for country and blues.

Pros:
Reliable. Very solid and playable.
Cheap? Well the higher end RGs such as the Jcustoms, prestige, Jems, JSs are all available to guitarist at reasonable prices(imo). You money really goes to the construction of the guitar itself and not the brand(not that much smile.gif )
Light. As ive said b4, its light. Wont break your neck thumbup.gif
Neck. Wizard I and II(most of them), thin, fast and smooth.

Cons:
Pickups. the Vs, Powersounds, IBZ Dimarzio. Well... some would disagree with me on this but they suck. Sorry if i offended anyone but dont just take my word for it, go and try it on your own or look up the net. With a neutral body such as basswood, its essential to have decent pickups (Kent Armstrong, Dimarzio, SD, EMGs, Tom andersons etc)
Finish. Man... im not sure if its only me or not, but the RG that i have chips very easily. For someone like me *ehem its not easy to "not" bang into something. I learnt this the hard way... only realise the few chips after a few days, yea pretty sad.

Hopefully this sums things up. Eventhou they're pointy but they're not metal guitars smile.gif
Pix
Ok, I've updated the first topic... very nice job you guys ! Don't hesitate to "consolidate" current info about models if you feel like it. Will try to make it look nicer later also, dun worry.

Regarding the bible name... ok, if you feel like it's an insult to this religion, i'll change it. I guess if I had put "The Ku'ran of Guitars", that'd have been weird as well... (then we can start the debate about how western civilisation is now using the word "bible" not as a religious reference anymore, but as a common word wink.gif )
chiiill out....
TheWhacker
Why all electric guitar wan ? .... Acoustic guitars can right ? ... i mean it's the "guitar Paradise" ....


How Body Shapes Affect Tone Production
Well .... the bigger the guitar, the louder it will sound (huh!) and, consequently, the body width and depth will produce more bass response. The difference between all these guitars is the depth of the body. Their scale lengths are standard 25.3" (643mm)

_____________________________________________________________________

Model: GJ46SCE (Jumbo Guitar)
Brand: Fender
Body Depth: 3.87" (Front) to 4.87" (Rear)
Nickname: Big Mama guitar, Jumbo

user posted image

With bodies approximately 17 inches wide and 5 inches deep, jumbos are the cannons of the acoustic guitar world. Typically made with backs and sides of maple to recover clarity in the tonal spectrum ... wah .... These huge guitars can certainly fill a room, at alone a hall with sound.
But ... haha, guitars of this size and power are usually harder to record with, so, most players will choose smaller bodied instruments to make recordings and will leave the jumbos for their live performance.
Most jumbos are made of rosewood which produces a more mellow tone than maple and rosewood are very popular for their power and rich resonance.


_____________________________________________________________________

Steel-string guitars with body widths from approximately 14 inches to 16 inches fall into categories known as
i) Concert
ii) Grand concert
iii) Auditorium
iv) Grand Auditorium

Model: GDC 100 SCE (Florentine Cutaway) Concert Guitar GC12
Brand: Fender
Body Depth: 3.62" (Front) to 4.40" (Rear)
Nickname: Folk guitar, concert

user posted image

Model: GC12
Brand: Fender
Body Depth: 3.5" Front, 4" Rear
Nickname: Folk guitar, Grand Concert

user posted image

The smaller concert and grand concert sizes accentuate the middle and upper end of the frequency range and because they lack deep bass response, these guitars are usually built with mahogany or rosewood back and sides to give them an extra warmer, better balanced tone. Keep in mind about maple bodies as these tend to be too bright and harsh.


_____________________________________________________________________

Model: GA43SCE
Brand: Fender
Body Depth: 4" (Front) to 5" (Rear)
Nickname: Grand Auditorium

user posted image

Mid-sized Auditorium and grand Auditorium models bring the widest palette of frequencies and tone colours to the mix because all types of tonewood, various scale lengths and decorative appointment are used in these categories, along with many variations in body shape. These body sizes are generally believed to be the best guitar for tonal balance, clarity of individual notes and blend of chord structures. These guitars are the favorites of modern finger-style players.


_____________________________________________________________________

Model: DG10
Brand: Fender
Body Depth: 3.94" (100mm) to 4.92" (125mm)
Nickname: Dreadnought Guitar, "acoustic guitar"

user posted image

Little history lesson for you guys. This body shape took its name from a battleship that was used during the early 1900s which is also known to be wide across it's mid section. The overall shape has been described as rectangular with a soft waist curve yielding a large soundboard and strong tone character across the full sound spectrum but emphasizing the low-mid range.
These near-jumbo sized instruments have dominated the acoustic guitar world since the 1930s and no matter whom the manufacturer, the width, length and depth of the body are fairly standardized with only a few exceptions. Hundreds of thousands of dreadnoughts are sold in the world each year and have in fact become what most people think of when you go to a guitar store and say "acoustic guitar"


_____________________________________________________________________

Please correct me if any of these info is wrong .... blush.gif, Coz i did my own research before i bought my Dreadnought and this all the research i did
blacktrix
what the heck is a Falcon???

The only memorable guitar that Dave Grohl has was the see-through plexi glass strat style guitar.
andymillenium
QUOTE(chanti-sama @ Jun 23 2005, 09:40 PM)
what about the white falcon in foo fighter's -monkey wrench music vid?
*




U mean this ? ---> user posted image
xnobys
QUOTE(Pix @ Jun 23 2005, 03:46 PM)
ha ha ha... not my idea, not my text... thx modd and blacktrix (that's one amazing writer !) instead, those are the men.
*


in that case, thanx modd and blacktrix... you guys rule... as a matter of fact ALL of you rules....
p/s-Modd nice solo you did in improvisation. wish i could play half as good...
chanti-sama
QUOTE(blacktrix @ Jun 24 2005, 10:45 AM)
what the heck is a Falcon???

The only memorable guitar that Dave Grohl has was the see-through plexi glass strat style guitar.
*



I remember the plexi glass strat alrite.... but i like the one he had on monkey wrench video.

QUOTE(andymillenium @ Jun 24 2005, 11:05 AM)
U mean this ? ---> user posted image
*



yup that's the one. i think that guitar is worth a mention. smile.gif
xnobys
any of you own or tried guitar with an active pu?
physical characteristic is fine but i'm more interested on the sound characteristic of the guitar.
superb explanation on LP but what about SG, Explorer, V?
ssslayerrr
QUOTE(headhunter7 @ Jun 23 2005, 06:04 PM)
Model : RGT / RGA / RG
Brand : Ibanez
Nickname : TEH FJOOKING SHREDDING MACHINE
Style : Any that you can think of.
^ well Ibanez RGs have 3 models

this one is the RGT
user posted image
This RG has the neck through, for people who doesn't want to have their hand blocked while solo-ing..

this one is the RG
user posted image
This has the normal bolt on, only with AANJ (stands for All Access Neck Joint) , which hardly gets in the way while solo-ing.

This one is the RGA
user posted image
This is the RGA , without the Edge tremolo.

From all of the above, i'd personally choose the RGT , but an RGA would be nice too..for my downtuned songs laugh.gif
*



Just want to add a few notes on the RG guitar.

1. Got the reputation as a shredders guitar mainly coz of its general specs and who was using it. Take a late 80ties, early 90ties shredder, big chance he was probably using an RG. Its specs, very big fingerboard radius (almost flat), wizard necks (on most rg, but not a rule though), jumbo frets, and the AANJ (all access neck joint), really makes it an ideal instrument for shredding. to quote Paul Gilbert, things are a lot easier to do on an Ibanez guitar ( his PG series is based on the RG)

2. To me, the thin necks make playing as easy as possible, giving you the most leeway, sort of allowing your fingers to "be all they can be". Talk about ibanez thin necks, youre talking about the wizard neck. At 17 mm at the first fret and 19 to 20 mm at the 12th fret, they are one of the thinnest necks around (new specs show the Rg wizard necks as being 18 mm at the first fret.)I love these necks, but none of my RGs have them, they all have ultra necks, which are beefier (19.5 mm at the first fret), so when you buy an RG, make sure it has a wizard neck, if thats what youre looking for.

3. I have guitars with both the AANJ and neckthru (ESP), and interms of accesibility to high frets, there isnt any difference between the AAJN and neckthru's. the AANJ is great. however, not all neckthru's are like that, some really give you a lot more access (like the neckthru developed by Stephen Davies, bolt on version is on Wasburn's Nuno signature series). Neckthru's have a thicker tone to me, and my guitar really resonate on the E note. Given a choice, i would take a neckthru anyday, but not because of access to higher notes.

Continue later
metalhead
user posted imageuser posted image

Brand : BC Rich
Model : Bronze Warlock
Nickname: Warlock
Genre: Heavy Metal, Hard Rock, and anything to kick a$$
Useful tips: Can be use as a weapon on stage, the angle on it's body can kill

Specification
Body: Agathis
Neck: Maple
Fretboard: Rosewood
Bridge: Adjustable
Pickup: Neck (Humbucker) & Bridge (Humbucker)
Control: 1 voulume and 1 tone
Selector: 3 way selector
24 frets

Local Distributor
IronWood
Kelana Jaya (near the old LimKokWing Institute)
Plaza Damansara, Damansara Heights
tel: 03 2096 2200
e-mail: enquiry.ironwood@time.net.my

The Warlock is basically a very mean looking guitar with very unique design, u'll look heavy heavy metal even if you're playing blues with it. The setup is simple and strightforward, with very RICH tone.

There are a few series from Rich that uses this design, some have Floyd Rose and some not, and other distiguishable feature is the Head Stock.

I personally haven't tried any of the Rich model, but based on Slipknot's Mick Thompson and Kerry King kick ass riffs, u'll figure out how this beast sound. It's more suitable for playing riffs rather than solo.

One of the downside of this guitar is that it's not as flexible as a Strat or a Les Paul, it was built for heavy metal and hard rock, so it'll not sound as good for pop or alternatives. Second, look at the design, does it look like u can use it for a church band??? and the body doesn't really look ergonomic, and might poke a hole on your rib cage....

Anyway, this is definately on my wishlist, i'll have this before the Les Paul coz this is more affordable.
xnobys
QUOTE(metalhead @ Jun 25 2005, 06:23 PM)
user posted imageuser posted image


*


me want that!!! drool.gif drool.gif drool.gif drool.gif drool.gif
the problem is that the head is much heavier than the body thus giving the extra pressure to you arms. heard that BC introduced a new design (the beast or something... ) quite recently.
xnobys
went to woh fatt the other day. just noticed that LP has three models/version. standard, custom and junior. mind telling me the difference, anyone?
ssslayerrr
QUOTE(xnobys @ Jul 3 2005, 06:33 PM)
went to woh fatt the other day. just noticed that LP has three models/version. standard, custom and junior. mind telling me the difference, anyone?
*


yeah, expensive, very expensive and very very expensive biggrin.gif

im sure blacktrix will fill in the blanks for you
Pix
you can fin all eplanations on www.gibson.com :-) the custom is super-expensive(custom built by Gibson best guitarmakers and from the best wood, etc etc.. they all have different special features), the standard is the "regular" LP, and the junior is... errr... cheaper. Forgot why, but i think it's flatter and the pickups are different. You have the Studio version also. Cheaper.
blacktrix
There are a BOATload of Les Paul models, ranging from the classic 60's Les Paul which we all know and love, to Double cutaways (looks KINDA like a Gibson SG with less "devil" horns), the junior models (kinda like cut down version), specials (which replaced the junior), right up to the Customs, which like Pix said, is the Creme De La Creme of Les Pauls....

But based on the 3 you mentioned, I'll briefly explain them.

The "Standard" model is the basis on which all the Les Pauls were designed after. They use the standard Gibson pick-ups, standard wood, standard finish and the standard headstock. This is normally the Les Paul that everyone associate with.

The "Customs", before 2004, were built using the highest quality materials. It started off the first run as the "Black Beauty", which was pure black and gold hardware... and later, slowly evolved into the custom that we know. Last time, before 2004, you could buy Customs directly from shops, which were pre-made before hand. But after 2004, they ONLY sell the 2005 customs DIRECT from Gibson, which means you have to place an order with Gibson, and they will craft one to your specs, hence the term "Custom". The most famous weilder of the Les Paul Custom? (You all know THIS was coming), Zakk Wylde. His first guitar has been a Les Paul custom, and up to today, still using Customs.

"Juniors" were the budget models, before Gibson owned Epiphone. These were cut down versions of the Les Pauls. For example, you only had 1 pick-up, only had 1 tone/volume knob and used cheaper woods. However, because of their unique design, many professional players began to fall in love with the sound... Billie Joe Armstrong of Green Day recently shifted to the Juniors. However, the Juniors are now part of the Gibson USA custom line, meaning that they are considered Vintage and comes at a high price, from what I'm told. Epiphone now makes Les Paul specials, which is basically the same as the Juniors, except with even MORE cost effective prices.

ANy mistakes/comments, please let me know. I'm just writting whatever I know off memory. Not doing legitimate research on this.
gizmoduck
user posted image

Specifications: Pickups: 2 Humbuckers Hardware: Gold Scale: 24.75 in. Nut Width: 1.68 in. Neck Joint: Set Neck Material: 3-piece Maple Fingerboard: Rosewood/Block and Triangle Multiple Binding: Body/Neck/Headstock and F holes Body Material: Laminated Maple Top: Laminated Maple Finishes: Ebony, Natural, Vintage Sunburst

drool.gif One more week to go.. haihhh.. I hope my car doesnt cause any more problems as soon as I get the check.. I have 1500 left on the deposit haaiihhh... sad.gif



They say that this georgeous beauty is the epitomy of 'price meets playability'. I tried it at the store and it has a really warm sound with a notable crunch. Think acoustic plugged into an amp with a little extra gain. I haven't had the chance to model any other sound cuz I was only using a mini amp, But I'm sure if I could plug it into a Marshall it would have a more rounded sound. Will edit this post as soon as I get it! tongue.gif
xnobys
i noticed that gibson's has these 4 knobs on all LP and SG. anybody care to explain what these knobs are?

japs guitar would normally have a maximum of 3 knobs (1 volume, 2 tone)
led_zep_freak
2 Volume & 2 Tone, each pair's hooked to their respective pickups.
blacktrix
Just reading through this one again.....
The 2 volume and 2 tone knobs that controls the individual pickups can be VERY useful. I still find it hard to go back to 2 or 3 way knobs like on the Strat.

I like to roll down the volume of the pick-up that I'm NOT using (Say I'm playing using the Bridge pick up, and I roll down the volume for the Neck pickup to 0). So, what I esstentially get, is a Kill-Off switch! When I want total silence, I just switch it to the Neck pick-up and voila! No more sound!
xnobys
i think that's how morello did during wake up solo. he switched off one of the pickup and pick the string with rapid switching of the selector switch... or did he use some kind of gadget to get that weird on-off solo...
led_zep_freak
Nope, he used a kill switch... a switch/button that would kill your sound instantly, if I'm not mistaken.

Anyway you could achieve this effect by using a tremolo pedal. thumbup.gif thumbup.gif
blacktrix
If you watch Ozzy's Live at Budokan, you can see Zakk performing this feat during Crazy Train.

Really easy to do and quite impressive.
echobrainproject
now we know why u had to send ur LP to woh watt to replace the switch. lol.
evo.com
yea you can make a killswitch out of your selector if you have separate volume control
not recommended for those normal selectors you get with strats.. super strats etc....
best used with toggle switch selectors
blacktrix
Yeah. Only Gibson style selector switches works best. But of course, the thing can snap off quite easily. Happened to me twice.
Once was just the plastic knob broke, and then the second time, the whole switch broke.
blacktrix
No. But hopefully, will be getting a Bullseye Epi when I'm in the US next year.
Reload
Can anyone tell me what a Fat Strat is?
evo.com
a H/S/S strat
Reload
Oh. I wonder why they needed a nickname for that.

I don't suppose H/H strats have a special name?
evo.com
its not a nickname la...
its the model
headhunter7
QUOTE(Reload @ Sep 21 2005, 05:58 AM)
Oh. I wonder why they needed a nickname for that.

I don't suppose H/H strats have a special name?
*



H/H or H/s/H if im not mistaken, is Double Fat Strat
xnobys
is there any difference between fat strat and stagemaster aside from their name?
andymillenium
Can any pro here give me info about this model---->YAMAHA EG-112

blink.gif
headhunter7
QUOTE(xnobys @ Sep 21 2005, 05:30 PM)
is there any difference between fat strat and stagemaster aside from their name?
*


Fat strat = routed at the front, pickguard on. (If you want the standard strat look)

Showmaster = Back routed, no pickguard, and some has 24 frets.
So if you want quilted / flamed maple and looks...stagemaster is for you, but
if you are a Jimi / Eric Johnson / SRV -wannnabe XD the usual fat / double fat / standard strat is for you.!


Choose!

EDIT : alamak terikut xnobys typing stagemaster,
its actually SHOWmaster! whistling.gif whistling.gif sweat.gif laugh.gif laugh.gif
tytons
QUOTE(blacktrix @ Sep 14 2005, 10:01 PM)
Just reading through this one again.....
The 2 volume and 2 tone knobs that controls the individual pickups can be VERY useful. I still find it hard to go back to 2 or 3 way knobs like on the Strat.

I like to roll down the volume of the pick-up that I'm NOT using (Say I'm playing using the Bridge pick up, and I roll down the volume for the Neck pickup to 0). So, what I esstentially get, is a Kill-Off switch! When I want total silence, I just switch it to the Neck pick-up and voila! No more sound!
*



hmm but if ur swtich is on the bridge pickup...it wont be reading anything from the neck pickup rite?

QUOTE
No. But hopefully, will be getting a Bullseye Epi when I'm in the US next year.


which of those in the pics below?
user posted image
led_zep_freak
QUOTE(tytons @ Nov 19 2005, 10:31 PM)
hmm but if ur swtich is on the bridge pickup...it wont be reading anything from the neck pickup rite?

which of those in the pics below?
*


Nope, unless you wire the pickups wrongly. XD

tytons, you'ill be whackerized for causing uncessary GAS to LYn members!
Anyway he's refering to the Les Paul on the far left. thumbup.gif
Pix
------------
Model: JS1000
Brand: Ibanez
Nickname: Satriani's signature
Style: Overdriven leads, solos, blues & rock riffs
--------------

Finally, I'll give my piece of writing on that axe, after owning one since 4 years (and still going).
First, the purpose : Joe Satriani designed that guitar to fit his style, so that he could get the exact sound he wanted for most of his songs. The thing is that he used to play on a strat (a genuine fender one to begin with, and then a "ibanez strat" prototype, loaded with humbuckers) and he got used to that rounded neck.

So basically he wanted a neutral and even sound (like an ibanez RG) with a slight touch of vintage and thickness (like a Les Paul), with a round neck (like a Strat'), with nice cleans (Strat' again ?) and yet an ability to produce tight metal riffs along with a screaming vibrato (I'd say that they're both specificities of the ibanez RG). All in all, that fearless dude wanted to get himself a highly lethal cocktail of the best guitars from the 80's.

What's the result ?
user posted image

Chances are you won't buy a chrome platede one, but rather something like those:
user posted image

The JS1000 is loaded with a dimarzio Fred (bridge) and a dimarzio PAF Pro (neck) , while the JS1200 has got a dimarzio PAF Joe (neck) instead, and comes only in rather flashy red colour. The PAF Joe provides more highs, compared to the PAF Pro, and that's definitely a good thing. The Pro is slightly too dark sometimes.

The feel is great : in my opinion, the best part would be the neck : it isn't flat and yet it's not that much rounded either so all the legato and tapping and bends are pretty easy to do. But more than the shape, it's more the thickness that is unbelievable. It is so deliciously thin that fingers will run naturally on it, without any kind of exhaustion.
The body itself is super-light (so if you're as strong as a baby shrimp, you'll get along fine with it), mostly because it is very thin. The wood itself is basswood, which is among the lightest wood around.

And to end this review : the sound. As told earlier, it's neither a strat, neither a LP but it was intended to blend both of them. A strato-elpiccinno. As a consequence : it's none of them : a strat would have a much more piercing/biting sound, while a LP is much fatter.
I can't say the JS is in between, because that doesn't make sense (while I myself try to make some, from time to time). It can't imitate the strat perfectly, but it provides really decent cleans and single-coils sound (thx to the coil-splitting mechanism), that can be used for strumming or cool arpeggios. Combining both pick-ups in single coil can provide a lovely "light" crunch that I use for funky aggressive riffs.
On the fat end, it doesn't compare with a LP at all. A LP is just heavier, from all perspectives. Like comparing a modern body-builded wrestler with a sumo. The wrestler might be sexier, but the sumo is the real deal. The JS can definitely gets you on the metal track, but it won't give you the extra bottom Oooomph easily. It's tighter, sharper, it's different. But tuned accordingly, on the right amp (let's say a mesa boogie), it will get dirty.
When it comes to the overdriven leading part, or even the cleaner bluesy solos from the album "Joe Satriani", what you hear on the CDs is what you'll have with that guitar. Nice sustain, plenty of mids, the guitar is just singing like a human voice. I mean... you know what I'm talking about. It still a vintage sound (compared to a JEM sound for instance), but with more definition in it.

Retail price is about 7,ooo RM, perhaps less. Quite expensive, and I'm not sure it worths it, but you purposedly pay for the signature... visually and sonically smile.gif
TheWhacker

Fender Stratocaster (credit to led_zep_freak, Wikipedia and Fender)

user posted image


Model: Stratocaster
Brand: Fender
Nickname: Strat
Genre: Blues, Rock & basically everything else too (Strats are very versatile!).

What ?

The Stratocaster is a model of electric guitar designed by Leo Fender in the early 1950s, and manufactured continuously to the present. The Stratocaster has been used by many leading guitarists and on many historic recordings: Along with the Gibson Les Paul and the Strat's older cousin, the Fender Telecaster, it is one of the most enduring and common models of electric guitar in the world.


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The headstock shape of the Statocaster is actually copyrighted.
That's why other "Stratocaster" copies cannot replicate its recognizable shape exactly.



The Stratocaster has been widely copied, such that 'Stratocaster' or 'Strat' can also denote a type of guitar, by various manufacturers, showing the same general features as the original (see strat copy). However, in many jurisdictions the word 'Stratocaster' is reserved for Fender guitars.

Where did it come from ?

The Fender Electric Instrument Manufacturing Company (now known as Fender Musical Instruments Corporation) developed the first commercial solid-body 'Spanish' (as opposed to 'Hawaiian,' or lap steel) electric guitar in the Telecaster, a simple design whose earliest models were offered under various names like Broadcaster or simply Esquire, beginning in 1950. Though the Telecaster and its variants were successful, many guitar players of the day insisted on using a Bigsby unit, a fairly primitive spring-loaded vibrato device with which players could bend notes up and down with their pick hand. Instead of adding a Bigsby, Fender decided to produce a new, more expensively-made ash or alder line of guitars with his own design of vibrato (see tremolo arm for more on the evolution of such mechanisms). His decision was also influenced by guitarists Rex Gallion and Bill Carson, who requested a contoured body to temper the harsh edges of the slab-built Telecaster; the new ash body design was based on that of the 1951 Precision Bass.


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Jimi Hendrix at Woodstock with a 1969 Stratocaster, a right-handed
model played left-handed, with the strings in the standard order relative to the guitarist.



The name, 'Stratocaster,' was intended to evoke images of newly emergent jet-aircraft technology (such as the Boeing B-52 Stratofortress), and to express Fender's modernistic design philosophy. In designing the Stratocaster's body, a significant area of the back of the guitar, and the area where the strumming arm rests, were beveled to accommodate the player's chest and arm. The upper bouts featured two cutaways, for easier access to the higher frets. The new 'Custom Contour Body' and 'Synchronized Tremolo' bridge made the Stratocaster a revolutionary design. The guitar also featured more complex electronics than the Telecaster: three single coil pickups, each with staggered magnetic poles; a three-way selector switch; one volume knob, and two tone controls. (A three single-coil pickup design was an innovation already in use by Gibson in their ES-5 model since 1949. However, Fender's pickups were much more compact.)

How about it's sound and playability ?

Much of the popularity of the Stratocaster can be attributed to its versatility. The neck, middle, and bridge (in the original manual, labelled "rhythm", "normal tone", and "lead", respectively) pickups provide a wide range of tones. The standard singlecoil pickups often found in Stratocasters produce a trebly sound with a high top end and bell-like harmonics. The Stratocaster has been used for a variety of purposes, from the classic "Fender twang" to the slicing solos of Jimi Hendrix and Eric Clapton to the fat, crunching tones in Ritchie Blackmore's "Smoke on the Water".

Is the Design and popularity still the same ?

In 1959-1967, the Stratocaster was refitted with a rosewood fretboard, as well as color choices other than sunburst, including a variety of colorful car-like paint jobs that appealed to the nascent surfer and hot-rod culture, pioneered by such bands as the Ventures and the Beach Boys. d*** Dale, the godfather of surf-rock, was a prominent Stratocaster player who also collaborated with Leo Fender in developing the Fender Showman amplifier. In the early 60's, the instrument was also championed by Hank Marvin - guitarist of the Shadows, a band which originally backed Cliff Richard and then produced instrumentals of its own. So distinctive was the Hank Marvin sound that many musicians - including the Beatles - initially deliberately avoided the Stratocaster and chose other marques. However, by 1965, George Harrison and John Lennon of the Beatles both acquired Stratocasters at about the time of the Rubber Soul recording sessions. It was Jimi Hendrix who widely popularized its use once again in the late 1960s.

The one-piece maple neck was discontinued in 1959; however, a maple neck with a glued-on maple fretboard was offered as an option in 1967. The rosewood fretboard over maple neck remained as the other neck option. In 1969, one-piece maple necks were again offered.


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Eric Clapton plays his signature model
at the Tsunami Relief concert, January 22nd 2005.



Many artists (including Eric Clapton, Jimi Hendrix, and Mark Knopfler) discovered that the pickup selector could be lodged in between the basic three settings for further tonal variety; since 1977, Stratocasters have been fitted with a five-way switch to make such switching more stable. Other, often subtle changes were made to the guitars over the years, as though in the spirit of tinkering for which Leo Fender was famous, but the basic shape and features of the Strat remained unchanged. In the 1980's some popular guitarists began modifying their Stratocasters with a humbucker pickup in the bridge position. This was intended to provide a more suitable sound for the heavier music of the day. The popularity of this modification grew and ultimately Fender began releasing factory built models with a bridge humbucker option.

Players first perceived a loss of the initial high quality of Fender guitars after the CBS takeover in 1965. So-called 'pre-CBS' Stratocasters are, accordingly, extremely sought-after and expensive. In recent times, original 1954 to 1958 Stratocasters have sold for more than $75,000. Many now reside in Japan, cached away as collectible pieces of Americana.


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TheWhacker tongue.gif, with a 70's Stratocaster, playing at a
Tsunami Relief concert St.Andrews, April 2005



The Stratocaster fell out of fashion in the mid-sixties, to the point where the Fender company (Leo Fender had sold it to CBS for $13 million in January 1965) reduced its price and considered removing it from their production line. However, Jimi Hendrix and many other blues-influenced artists of the late '60s soon adopted the Stratocaster as their main instrument, reviving the guitar's popularity. Both George Harrison and Eric Clapton used Stratocasters in the 1971 Concert For Bangladesh, giving the Strat additional high visibilty in rock circles.

After a peak in the 1970s, driven by players such as David Gilmour of Pink Floyd, Eric Clapton, and Mark Knopfler of Dire Straits, another lull occurred in the early '80s. During that time, CBS-Fender cut costs by deleting features from the standard Stratocaster line, despite a blues revival that featured Strat players such as Stevie Ray Vaughan, Robert Cray, and Buddy Guy. (Buddy Guy had actually been a Strat player since the mid-1960s, and is sometimes credited with influencing Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan in their choice of the Stratocaster as a primary blues-rock guitar.) However, this lull abated once the company became independent of CBS, and a rise in mainstream popularity for vintage (and vintage-style) instruments resulted.
TheWhacker

Fender Telecaster (credit to led_zep_freak, Wikipedia and Fender)

user posted image


Model: Telecaster
Brand: Fender
Nickname: Tele
Genre: Country, Blues, Rock.

What ? Another Stratcaster ?

Nope, its a Telecaster. This guitar is a dual-pickup, solid-body electric guitar made by Fender. Its simple, yet effective design and revolutionary sound broke ground and set trends in the fields of electric guitar manufacture and popular music. Introduced for national distribution as the Broadcaster in the fall of 1950, it was the first guitar of its kind to be produced on a substantial scale. Its commercial production can be traced as far back as the spring of 1950, when the single- and dual-pickup Esquire models were first sold. From that time to the present, the Telecaster has been in continuous production in one form or another, making it the world's senior solid-body electric guitar (Duchossoir, 1991, 11-15).


user posted image

Same with its Stratocaster brother, the headstock shape of the Telecaster is copyrighted too.
You'll see other other "Telecaster" copies in various shops, but cannot replicate its recognizable shape exactly.



Where did it come from ?

The Telecaster was developed by Leo Fender in Fullerton, California, in the 1940s. But like many great ideas, the solid-body electric guitar was created independently by several craftsman and companies over a similar period (roughly 1932-1949), such that any claim of a 'first' demands a great deal of qualification. Leo Fender's Telecaster was simply the right guitar at the right time, and like many other great ideas, it began as an accident.[citation needed]

Fender had an electronics repair shop called Fender's Radio Service where he first repaired, then designed, amplifiers and electromagnetic pickups for musicians -- chiefly players of electric semi-acoustic guitars, electric Hawaiian (lap steel) guitars, and mandolins. Players had been 'wiring up' their instruments in search of greater volume and projection since the late 1920s, and electric semi-acoustics (such as the Gibson ES-150) had long been widely available. Tone had never, until then, been the primary reason for a guitarist to go electric, but in 1943, when Fender and his partner, Doc Kauffman, built a crude wooden guitar as a pickup test rig, local country players started asking to borrow it for gigs. It sounded shiny and sustaining. Fender got curious, and in 1949, when it was long-understood that solid construction offered great advantages in electric instruments, but before any commercial solidbody Spanish guitars had caught on (the small Audiovox company apparently offered a modern, solidbody electric guitar as early as the mid-1930s), he built a better prototype.


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James Burton with his signature model playing at "Elvis-The Concert"



That hand-built prototype, an anomalous white guitar, had most of the features of what would become the Telecaster. It was designed in the spirit of the solid-body Hawaiian guitars manufactured by Rickenbacker -- small, simple units made of Bakelite and aluminum with the parts bolted together -- but with honest wooden construction. (Rickenbacker, then called 'Rickenbacher,' had also offered a solid Bakelite-bodied electric Spanish guitar in 1935, many details of which seem echoed in Fender's design.)

The initial production model appeared in 1950, and was called the Esquire. (Fewer than fifty guitars were originally produced under that name, and most were replaced under warranty because of early manufacturing problems.) Later in 1950, this single-pickup model was discontinued, and a two-pickup model was renamed the Broadcaster. The Gretsch company, itself a manufacturer of hollowbody electric guitars, claimed that "Broadcaster" violated the trademark for its Broadkaster line of drums, and as a newcomer to the industry, Fender decided to bend and changed the name to Telecaster, after the newly popular medium of television. (The guitars manufactured in the interim bore no name, and are now popularly called 'Nocasters.') The Esquire was reintroduced as a one-pickup Telecaster, at a lower price.

Is the sound and playability the same as the Stratocaster ?

The Telecaster is known for its bright, cutting tone. One of the secrets to the Tele's sound centers on the bridge. The strings pass through the body and are anchored at the back by six ferrules, giving solidity and sustain to the guitar's sound, but some are 'top-loading'; the strings pass through the end of and terminate at the bridge instead of going through the body. The original 3-saddle bridge resulted in good contact between the strings and the solid body, further enhancing sustain. A slanting bridge pickup enhances the guitar's treble tone. The solid body allows the guitar to deliver a clean amplified version of the strings' tone.


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Muddy Waters with a normal American Telecaster®.
He is known for inventing the first modern rock band.



This was an improvement on previous electric guitar designs, whose hollow bodies made them prone to unwanted feedback, and which sometimes suffered from a muddy, indistinct sound. These design elements allowed musicians to emulate steel guitar sounds, making it particularly useful in country music. Such emulation can be enhanced by use of a B-Bender (B-string bending device co-introduced by Clarence White), enabling a smooth change of pitch for a single string within a chord.

What's so big deal about the Telecaster ?

The Telecaster was important in the evolution of country, electric blues, rock and roll and other forms of popular music, because its solid construction allowed the guitar to be played loudly as a lead instrument, with long sustain if desired, and with less of the whistling 'hard' feedback (known in sound reinforcement circles as 'microphonic feedback') that hollowbodied instruments tend to produce at volume (a different kind than the controllable feedback later exploited by Jimi Hendrix and countless other players). Even though the Telecaster is more than half a century old, and more sophisticated designs have been coming out since the early 1950s (including Fender's own Stratocaster), the Telecaster has remained in constant production. There have been numerous variations and modifications, but a model with something close to the original features has always been available.
quarantined
Great information. Keep them coming k... smile.gif

Note from pix : please avoid spamming here, k... smile.gif
blacktrix
Please post your questions here: http://forum.lowyat.net/index.php?showtopic=164815&st=520

And welcome to the club......
TheWhacker
How to restring a floyd rose.

QUOTE(vorchiel @ Apr 28 2006, 10:43 PM)
http://www.carvinworld.com/manuals/Original-Floyd-Rose.pdf

but after i lossened the saddle lock screw, i still can not remove the string. do i need to pull it vigorously? i afraid of damaging my guitar.. or is it like that? the lock box doesnt seem to budge at all..
*



QUOTE(TheWhacker @ Apr 29 2006, 12:10 AM)
floyd rose is a very tricky setup to adjust. If you get it wrong, the whole tuning will be out.

I suggest sending to a shop to tune the guitar and see how the pro does the tuning on a floyd rose.

Send it to the shop and let the pro do it for you. I rather pay £20 then paying £200 to repair the whole bridge of guitar. Here's why ....

Once, I came across a "seasoned" guitarist who thinking he knows what hes doing .... he adjust the floyd rose bridge went up so high till the whole thing just come out from the guitar ....

After watching the pro adjust the floyd rose, go ahead and try adjust them yourself ..... if you did something wrong or you want to ask a questions, at lest he's there to help you
*



QUOTE(strife_personified @ Apr 29 2006, 01:29 AM)
might have some help for you here. had lots of fun with my floyd-rose, and i'm glad that my first teacher thought me how some tips on how to do it.

first up, dont play with the rear tremolo cavity. i've learnt from my own itchified experience not to be a bum and do things without knowing what i was doing in the first place.

what you want to do is get a nice hard piece of card board that is longer than the breadth of the Floyd-rose (thereafter refered to as FR). now, using the tremolo arm, pull it so that the strings start to slack, and lodge the cardboard behind the FR, so that it stays at that height when you let go of the tremolo arm.

now, follow the pdf guide that you posted, remove all the strings, and all that stuff. thats all the same, so i wont repeat it here.

lastly, with the cardboard still in place, tune the strings till they are nearly fully tuned but not fully yet, then test the tension by removing the cardboard, and SLOWLY easing the FR back into its normal position.

now, i dont know if this is orthodox, but i generally tune the strings over and over til the ride height is correct, and its in tune, since what usually happens is that you tune the sixth string, then by the time you get to the first string, the sixth is out.

one method that i sometimes use is to tune the first and sixth together, since they are both E. then tune the other strings, while playing the sixth and first strings at the same time as a point of reference. once its generally in tune, lock the tune lock if you're lucky enough to have that, and fine tune the harmonics out with the FR itself.

hope that helps wink.gif and saves you 15 quid as well.

Lastly, to answer your actual question, you could try spraying a little WD40 into the lock box, just make sure that you don't drown it. try pushing it a bit with a screwdriver, those bums do tend to get stuck.

also, you can sometimes try to time your guitar string changes with your servicing schedule, so that way they can do it all at once. saves a lot of hassle sometimes.

PS: Thanks for the pdf manual. i've definitely learned a bit more from that than my experimenting.
*



QUOTE(Reload @ Apr 29 2006, 01:44 AM)
Floyd Rose setup is hard, but changing strings isn't really, once you've done it a couple of times.

Have you loosened the saddle lock screws enough? The lock block should be loose inside the lock box. (Not too loose, you don't want it to fall out.) You shouldn't need to pull too hard on the strings to remove them from the saddle.

Those are quite good instructions, actually, so you should trust them.

One more thing...instead of blocking your tremolo with the cardboard as described above, you can just change your strings one at a time. Of course, this means you can't clean the fretboard, but do you want to?

Good luck.
*



QUOTE(strife_personified @ Apr 29 2006, 01:49 AM)
i'd say clean the fretboard. doesnt hurt to polish the frets with some mild metal cleaner, and the wood as well. but do correct me if i'm wrong and it isnt actually good to do that.

but then again, it IS your first restringing, so your guitar is most likely in good shape, so you might still want to consider Reload's advice.
*



QUOTE(Reload @ Apr 29 2006, 02:01 AM)
I always, always clean the fretboard and the frets when I change strings, so I block my trem. But that's just because I'm fussy.  thumbup.gif

By the way, you can block your trem with almost anything. I use a wood block or a couple of bottlecaps. Just make sure that whatever you use won't scratch anything. When in doubt, coat with masking tape.

And use WD40 sparingly, because it's really hard to clean up from all the crevices of  the bridge and makes everything feel icky.
*



QUOTE(Everdying @ Apr 29 2006, 04:55 AM)
yea i tune mine the same way strife_personified said.
only instead of cardboard i stick a cloth under it, normally some old tshirt.

awhile ago someone actually invented some small plastic device just to specially stick under the floyd, forgot what it was called, but its definitely a waste of money.

and yea, i always clean and condition my fretboard with every string change.
*



More information: Stringing a Floyd Rose (with pictures)
shiinkuro31
Can i review bout Matthew Bellamy's Manson guitar, since he is my fav guitarist

Silver Mansion

user posted image

-this guitar features a built in Z vex fuzz factory that can oscilate at any pitch and delivers some of the most extreme fuzz tones you will ever hear.
-also built in is an MXR phase 90 to create those swelling dramatic moments that have become part of Matt's signature tone.
-a Roland GK2a is internally fitted and a piezo loaded bridge installed to give him an acoustic tone(sounds great distorted too).



Black Guitar

user posted image

-took the concept one step further with more built in effects than you can shake a stick at this has to be the most versatile guitar in the world.
-the features include a Z Vex fuzz factory , Phase 90 , Fernandes sustainer circuit , Z Vex wah probe , Piezo bridge , and a revolutionary midi ribbon control to operate the Digitech Whammy.
-also fitted with Sim's custom L.E.D 's along the side of the finger board.
-mahogany body with a birdseye maple neck and rosewood fingerboard all finished in matt black.



7 Strings Custom

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-it features a thru neck with a flame maple top and an ebony fingerboard.
-two humbuckers and a piezo bridge for extra harmonic clarity.
-actually, not built for Matthew, but for other jazz guitarist who changed his mind last minutes and Matthew just grab it for his new song.( i think Citizen Erased)



Cracked Mirror

user posted image

-this guitar features 10 lasers all in all and they project out the front of the guitar bright red, which on a dark stage looks amazing!

-the guitar also has a visually striking cracked mirror finish that reflects the stage lights for a dramatic effect.

-the built in effects include a Z Vex Fuzz Factory, MXR phase 90, Roland GK2a pickup for midi applications and a piezo system.

-mahogany body with birds eye maple neck and rosewood fingerboard.Now refitted with Bare Knuckle pickups



The Bomber

user posted image

-started life as an all chrome guitar but because some of the chrome didn't take as well as normal during tour and Hugh decided to add some flashes of colour to give a kind of oil type finish which actually looks stunning.
-he also found some original B52 rivetts (WW2 material) from junkyard and put them in to complete the bomber as we know it.
-fitted with a floyd rose locking tremolo system for increased tuning stability during whammy bar madness.
-also fitted with a midi strip and kill switch.
-pickups are Seymour Duncan Hot P90 and Rio Grande Crunchbox.
-mahogany body with a brids eye maple neck / rosewood finger board.



The Mirror

user posted image

-this all mirror Manson was specially commisioned for the triumphant end of year shows at Earls court.
-the finish looks out of this world and was pain staking for Hugh to construct. -otherwise this guitar is relatively simple in the electronics with a Fuzz Factory and MXR phase 90 being the only internal effects.
-now fitted with two Bare Knuckle Mississippi queens for a bright cutting tone but with plenty of clout.


thats all, thanx.. smile.gif smile.gif smile.gif
Everdying
you know when you review you're not suppose to cut and paste from other ppl's reviews, and call it your own.

http://www.mansons.co.uk/show_feature.cfm?...43&CFTOKEN=6384
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